Submitted by PhilTippett_Dino_Sup t3_yotrcd in IAmA
[removed]
Submitted by PhilTippett_Dino_Sup t3_yotrcd in IAmA
[removed]
Hey Phil, simple question. Which dinosaur is best, or at least what are your favorites?
What softwares do you utilize in your pipeline? Any suggestions on advancing VFX the software experience for users and those interested in 3D modeling/rendering?
Hey Phil, quick question. How are we supposed to trust you after your work as Dinosaur Supervisor?
Also Mad God was amazing.
If you really did “have one job” and it wasn’t what you were already doing what would it be?
AMAs are pre-posted, if you look in the original post there's the date and time when it will happen.
How was the t-rex to work with? Was she a bit of a diva?
What is your favorite car?
Hey! Big fan of your work, Mad God in particular. It's a beautifully horrific piece of art and the reason I signed up for Shudder to begin with.
I'm curious what your process is for "monster making" and especially in Mad God, what kind of work goes into some of the crazier gore fx? It all looks so gnarly, and I love it lol.
Wow, hello! I actually watched Mad God last night and was blown away by it. Thank you, so much, for sharing your vision with the world.
My question is: 30 years is a tremendous amount of time to invest and this must have been a deeply personal project. Now that it's complete and available, how do you feel as a creator? Is there joy/satisfaction that a lifelong endeavor is out there in the world? Emptiness as you no longer have the production of the film as something to work toward? Other emotions?
Given that the film itself dealt so deeply with emotions surrounding creators, I figured it was a fair question. :-)
Where did the general plot idea for Mad God originate from? It's incredibly unique. I enjoyed every second of it.
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When I think of popular cultural work in the realm of unsettling stop-motion animation I think of you and Adam Jones' Tool music videos. Was there any time you two got together and talked about your separate work together? Also what other creators work do you think I should check out in this same creative area?
Mr. Tippet sir, do you have any words of advice for working on discipline as a creator? I find myself equally overwhelmed as I am eager to pursue my writing but have trouble balancing my job and free time, thanks!
How do you feel about practical effects/miniatures place in the future of filmmaking? Can they make a comeback?
As a fan of 80's-90's movies, I think of you as an underappreciated legend. You were responsible for or had a hand in nearly every incredible effect in those movies I know and love.
As a huge Jurassic fan, I unfortunately have to agree they made the right call to go with CG for full bodied dinosaur effects but they way the decision was made and it's personal effect on you still gripes me to this day.
That being said though, I think there's a severe lack of practical effects in modern filmmaking that contributes to modern visual effects just feeling fake. I have hopes that practical effects can make a comeback by using filming techniques that allow more close in shots and situations where it can be used rather than simply using CG because it's easier.
Hi Phil. What movie would be improved with dinosaurs added to it?
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