SpeckDackel t1_je73c9i wrote
Reply to comment by mr_ryh in Kafka sought to unmask the world that hides beneath what we call reality. What mattered to him were our intrinsic, subconscious experiences, in all their absurdity and apparent irrelevance. by IAI_Admin
I think the feelings of Gregor Samsa the first sentence gives you is not accurately translated in the English version. The ungeheures (uncanny/giant/unheard of) Ungeziefer (unpleasant and unwanted insects like cockroaches are Ungeziefer, insects people/society don't like) is a metaphor for how he feels/is treated by his family; not really a physical state. Based on how Samsa then treats this metamorphosis as a practical problem to overcome and live his "normal" life, I always felt like this physical state is simply a manifestation of his/Kafka's inability to follow the rules of and take part in society just by being too different. The rules of society (and his father/family) become impossible to follow, and the uncannyness of one's existence expose the uncanny rules of the middle classes Gregor Samsa desperately wants to participate in. But as the rules define the life of everyone in this world and don't allow one to be different, it destroys him in the end. Being uncanny and unwanted by society dooms the protagonist from the first moment (metaphorically he is doomed to perish by being hurt with the apple by his beloved sister in the beginning).
mr_ryh t1_je7hg18 wrote
Yes, that is a more succinct and precise rendering of what I initially tried to express in a circuitous and clumsy way. His father deemed artists (such as Kafka aspired to be) to be Ungeziefer sponging off the strong and self-reliant men of business who moreover got married and raised families - something Kafka longed to do yet felt unfit for - and Kafka certainly felt tortured by this as he couldn't help relying on his father for survival (physically and emotionally). This paradox of loving & needing someone (or some thing) who nonetheless tortures & humiliates you, or (to use another metaphor from his Notebooks) the dream-like contradiction of something being incommunicable yet demanding to be communicated, explains much of the underlying pathos (and bathos) in his work.
Thanks for the correction and the intelligent exposition.
Viewing a single comment thread. View all comments