>My first dance with my wife at our wedding what ‘Grow Old With You’ from The Wedding Singer (whilst dressed in an inflatable dino suit), so it also has a lot of sentimental value as well.

That's wonderful, sincerely.

Thank you for sharing.

I'll always love the part where Tom says, "I was as much a son to him as you or Mike." and Sonny, belligerent as he is, still can't argue with him.

Did you ever see the deleted scene where Ben Stiller gets his comeuppance? It's amazing.

NOWYERGONNAGETITBOBBY

It came out in 2002, sorry.

But I do still suspect that the Stock Channel Anchorman is an evil leprechaun.

He can bullshit everybody else.

He ain't fooling me. 👀

>Yeah every time I have tried to watch it I fall asleep before 30 minutes in.

That was me with The Fifth Element ten years ago.

I quote it on a daily basis now.

Give the Corleones another chance some time.

I can get a note from my doctor

I always liked her in III. Best young performance ever? No. Worst? LMAO. Watch more movies.

I'd like a Robert Duvall cut though. Can't get over his absence in III, despite best efforts.

I love the third movie! In fact, I've been re-watching the first two before a first-time viewing of the Snyder Coppola Cut of III.

Another great cool-under-pressure scene in The Godfather is when Michael has to bluff away the hitmen at the hospital with only Enzo standing next to him. Enzo is shaking so bad that he can't even light a cigarette, and has to be reminded to keep his hands in his pockets. Michael notices in the middle of lighting his cigarette that he isn't shaking one bit.

I've watched El Mariachi more times with commentary than without. It's wonderful.

>"You want to be a filmmaker? I've got good news for you, you're a filmmaker. Now go make movies."

There's something in The Blair Witch Project that still haunts me, and I don't know if it was discovered in the editing room, or always planned.

A few times throughout the movie, the DAT sound recorder for the 16mm camera is farther away than the person holding said camera. This dissonance is scary, particularly in the final shot. The DAT is on the basement floor and Heather is still holding the 16mm upstairs... so her screams get closer, louder and more hysterical as she descends further down. Yikes.