bobledrew
bobledrew t1_j55z6vz wrote
Reply to NSYNC in 1997 by Djf47021
You could make a tent with all that extra denim.
bobledrew t1_j2f42h8 wrote
Reply to 1998 Me and my 1972 Olds 442 by JSimmons6703
You look like the bad guy in a Stephen King novel!
bobledrew t1_j2es1r9 wrote
Reply to comment by EnderCrystal221 in Were There Any Big Bands That Mixed Electric Guitars Into Their Orchestras? by EnderCrystal221
For a long time big bands used banjos because they had the volume advantage.
bobledrew t1_j2ens53 wrote
Reply to Were There Any Big Bands That Mixed Electric Guitars Into Their Orchestras? by EnderCrystal221
I think your terminology is a bit loose here.
Lots of big band guitar players used “electric guitars” — they played guitars that had pickups and amplifiers for additional volume. Most of those guitars were full-depth hollow body guitars with pickups. Think the Gibson ES-175 or a D’angelico archtop. Someone else pointed to Charlie Christian with Benny Goodman in ‘39, but there were other earlier ones.
I think what you’re thinking is electric guitars with more of a rock & roll sound than a jazz sound. You can find examples of that not so much in the big band era, but in the jump blues genre (think Louis Jordan or Louis Prima), where you can here guitar parts that are proto-rock and roll. In fact, Chuck Berry lifted a riff from Carl Hogan, Jordan's guitar player, for Johnny B. Goode.
Here's a sample of Louis Jordan to try out: https://www.youtube.com/watch?v=m7M4thNT_EY
bobledrew t1_j1q0rmu wrote
I was lucky enough to see her at a music conference where she was keynoting. I don’t remember much of the speech, but I do remember who doing this a capella. Spingles just thinking about it.
bobledrew t1_j6jwizj wrote
Reply to comment by UnknownAccompliceSF in Anne Murray at the Troubadour “right in the middle of these guys who were totally all three sheets to the wind” 1973 by eaglemaxie
Nilsson Shmilsson!