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groggyMPLS t1_jctye2l wrote

I’ve gone through the entire life cycle of DT fandom. As a drummer, was drawn in by Portnoy’s virtuosity, despite how goofy LaBrie was on vocals. Then I recognized how each player in the band was equally talented at their craft. I bought portnoys instructional dvds. I found the side projects. I saw DT live on the Train of Thought tour. I eagerly awaited Octavarium. It was okay. And then I started to realize that I really just liked their heavier songs so much more than the pure instrumental show-off stuff, and the keyboard element really started to become a turnoff for me, in particular, along with my waning amusement with LaBrie’s ridiculous operatic contributions.

Eventually, I realized I was really just into hardcore metal. I still give the old albums a listen once in a while, and I really believe that a few songs are truly prog metal greats — Home, Dance of Eternity, Pull me Under, Blind faith, As I Am — but I’ve totally lost interest in the band in terms of what they’re releasing lately.

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ethanhunt_08 OP t1_jcuav75 wrote

I kinda agree with you on the keyboard element. Rudess is a great artist but when the keyboard shines in a song, it's really in a very different tone that what, maybe, Petrucci is playing which is mostly on the heavier side. That being said, it has started to grow on me and I'm less annoyed nowadays with the keyboard and rather enjoy the riffs or the percussion shenanigans (in both, Portnoy's and Mangini's era)

Totally fucking agree with LaBrie's vocals. They kinda suck, specially in live versions, but the instrumentals are equally better in live versions too. Everytime I just wish to skip LaBrie's part if I'm listening to live recordings lol

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