groggyMPLS

groggyMPLS t1_je5l7jp wrote

”Musical experiments confirmed findings of archaeological research that the size and the position of the holes cannot be accidental – they were made with the intention of musical expression.”

I hate statements like this. Of course it could have been accidental. Insanely unlikely, but why sound stupid by saying there’s zero chance some cave man made four holes in a bone that just happened to be on the right scale for making musical notes.

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groggyMPLS t1_jctye2l wrote

I’ve gone through the entire life cycle of DT fandom. As a drummer, was drawn in by Portnoy’s virtuosity, despite how goofy LaBrie was on vocals. Then I recognized how each player in the band was equally talented at their craft. I bought portnoys instructional dvds. I found the side projects. I saw DT live on the Train of Thought tour. I eagerly awaited Octavarium. It was okay. And then I started to realize that I really just liked their heavier songs so much more than the pure instrumental show-off stuff, and the keyboard element really started to become a turnoff for me, in particular, along with my waning amusement with LaBrie’s ridiculous operatic contributions.

Eventually, I realized I was really just into hardcore metal. I still give the old albums a listen once in a while, and I really believe that a few songs are truly prog metal greats — Home, Dance of Eternity, Pull me Under, Blind faith, As I Am — but I’ve totally lost interest in the band in terms of what they’re releasing lately.

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groggyMPLS t1_j477hmf wrote

That doc made me aware that John Fogerty absolutely was not your typical Rock n Roll frontman. Sort of a quiet and… strange guy. Insanely talented though. The doc also gave me the impression that he was 80% of the talent in the band, and 99% responsible for their success.

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