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sufrt t1_iy9xb17 wrote

Reply to comment by AdmiralAthena in [WP] Your Significant Other has landed a book publishing deal! You're very proud of them, even if you don't actually enjoy their writing. One day, on a whim, you buy an actual copy in a book store. It's nothing like the pages they gave you to read. Nothing. by veriverd

Where's the horror? It's all right there in the text. You'll note that the narrator feels "terror and fear", as well as "shock". He starts stammering, indicating even further that he's unpleasantly stunned by his discovery. He even throws the book on the floor, which no one would do if they weren't feeling strong negative emotions they couldn't control. These are all elements pointing towards the horror being experienced. You'll often find the same emotions in Stephen King, etc.

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AdmiralAthena t1_iy9y5r0 wrote

He feels horror, we don't. The point of horror isn't to scare the characters, it's to scare the audience.

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sufrt t1_iy9zgox wrote

The audience is scared, of course, by the horrific ending of the story. And empathy for the narrator only adds to the horror. Thus, given that both the audience and character are scared, as opposed to just one or the other, this falls into a category that can only be called "perfect horror".

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Dry_Marzipan7811 t1_iya3r7g wrote

if your audience is telling you they’re not scared, the audience isn’t as scared as you intended. this concept may have gone over better in your head, but it’s not exactly fleshed out enough to elicit fear in your readers. maybe if you expanded further on your idea and shown the narrator gradually realizing the books are changing or having that experience with more books, the audience could better feel what you’re going for.

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pyrodice t1_iya2lbk wrote

Ah. I see you're just trolling and this is a riff on the Geico commercial where they're scared of how happy the savings make them feel.

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