TJ_Fox

TJ_Fox OP t1_jef9afr wrote

In the novel and what we've seen so far of the series, some of the newly-empowered characters do basically become criminals, others think of the powers as a curse, some use them for political gain, at least one major character effectively starts her own religion ... there's a wide variety of responses.

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TJ_Fox OP t1_jef39yq wrote

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TJ_Fox OP t1_jd9tsyx wrote

It's also true that people sometimes casually imagine that people of the past didn't have senses of mischief, or just senses of humor, as in this case.

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TJ_Fox OP t1_jd9j0a3 wrote

I was wondering the same thing. I mean, I guess the idea of dinosaurs attacking a city is inherently dramatic so it makes sense as a story trope, but as far as I know this article was the first major visual representation of that idea. When Doyle came out with The Lost World (novel) in 1912, the only creature that gets transported to London is a pterodactyl. Then by the time the movie's produced in the '20s, it's a brontosaur, and the rest is history.

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TJ_Fox OP t1_jd853yr wrote

If we're going to have fake news, I'd prefer dinosaur invasion hoaxes to culture war propaganda. On the other hand, I guess it was a good lesson in "don't believe everything you read" for the people of 1906.

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TJ_Fox OP t1_jd83tjv wrote

You're welcome. This has to be one of the first "giant prehistoric monsters attacking a city" stories of the 20th century - King Kong didn't come along until the 1930s.

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TJ_Fox t1_j91ytc7 wrote

It's a decent steampunk/fantasy concept; basically, "the Fae" - beings that are mythological in our reality, like fauns and faeries - are living creatures in this world, but there's a lot of prejudice against them from the human majority. Intrigue and some action ensues when a bunch of Fae refugees end up living in Carnival Row, a slum district in a majority-human city.

The problem is that the two protagonists (a faerie radical played by Cara Delivingne and a human cop played by Orlando Bloom) are kind of boring. The glimpses of life in Carnival Row often suggest events and characters who are more interesting than the leads, which gets frustrating.

Production design is good, though.

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