hurtyewh

hurtyewh t1_j8zh6hw wrote

Jumping to something like that from Momentums is a ridiculous leap and I'd not be surprised if your ears need a lot of time to appreciate the differences. Like if you've had microwave meals your entire life and then you go to a three Michelin star restaurant. You'd have no idea what it's about. Could also be that they're not your type as well as they seem to be very neutral without bass elevation. It's common with planars that you need to EQ the bass.

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hurtyewh OP t1_j6dci1b wrote

That looks very strange to me. I wouldn't have thought any part of the treble goes above Harman and mostly stays 1-2dB below. I listened to many tracks that I often have treble issues with Beat by Tingvall Trio for example or Radha Kaise Na Jale by A.R. Rahman and they're easy to listen to at high volumes.

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hurtyewh OP t1_j6cm8a0 wrote

I got these to try since DMS mentioned they beat the Chu and I've felt the cheapo chifi situation has gotten a bit out of hand and having some other options would be very welcome. Turns out these are damn nice. I've been supposed to make a proper Wan'er, Zero and Cadenza comparison, but luckily having a baby in between delayed it enough to add these in the set. Here's a first impressions after a few hours of listening.

The balance is excellent. Perhaps a tiny bit safe in the highs, but smooth and present. There's as much bass as you can cleanly add, but a bit of sub bass is missing in comparison to some of the others, but the transition from bass to mids suits much more genres than with the Salnotes Zero for example. Detail, timbre, everything is great. The staging feels wider than usual with IEMs which has it's benefits and issues. For critical listening it's nice, but on the go casual listening might feel a bit less engaging.

These can be worn cable over the ear or normally, but at least for me over the ear negatively affects the sound rather clearly. Volume drops, dynamics suffer and of course flipping the channels can be jarring when you're familiar with songs with the intended mix. The part resting on your concha is also a bit chucky and fit might not be ideal for small ears while the tip itself fits nicely.

These might actually be the best tuned IEM I've ever heard having a Dusk, Timeless etc. It does no tuning tricks like added treble, clear sub bass separation etc, but just does everything nice and smooth.

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hurtyewh t1_j6863m1 wrote

I'm the exact opposite. I much prefer (almost) every headphone with Oratory's presets than stock. There are a limited few that I would even care to listen without EQ anymore. Which headphones for example and are you sure you level matched? Louder is always better when A/B:ing. Any specific aspect that you didn't enjoy since perhaps dome aspect of Harman is not good for your taste or ear?

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hurtyewh t1_j5woeku wrote

For me, if you use Oratory1990's EQ preset then these really offer so much that anything more is just luxury unless one listens to EDM, metal etc that need a bit more and cleaner bass and even then they're fine.

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hurtyewh t1_j27vlfh wrote

A) might not just be your thing, B) the jump might be so big you need time to understand the differences (like jumping from MoonDrop waifus to appreciating the masterpieces of impressionist art), C) the M50x's are laser sharp in the treble and have overdone porridge bass so your ears might be fucked like mine were after using them for a few years that something balanced sounded boring (HD650 for me) and it will take time to readjust, but the M50x's will likely sound horrific afterwards.

The amp is likely fine. An iBasso DC05 or Apple dongle is. I recommend EQ (Oratory1990 preset) to bring the bass up a bit. They're really damn nice headphones for most people. The big soundstage also makes them more diffuse sounding in the bass especially which is a bit less gripping and more ethereal than you're likely used to.

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