I enjoy each episode but the story overall is disjointed. It appears that it’s all starting to come together though.

I don’t watch shows just for the main plot points, so I say yes.

They do?

I didn’t get that impression although I did get the impression that they are as close as they’ve ever been since childhood.

They’re at least as weird but o found that each season has a pretty easy to understand core to it.

I also really enjoy the visuals.

It’s not boring to me but it’s not an action oriented show either.

I value them for the show itself.

I’m not terribly concerned with who wins unless I’m already watching them.

I basically hear the nominations and decide which one I think should win.

Does she need to use one?

Honestly she acts like a calmer version of most of her performances to me.

Right but that partial ownership may not extend to keeping the show going.

It would just require them to still get paid.

That’s true if they own it. I was basically talking about the owners as the producers but I know it’s more complicated than that.

HBO can keep making unlimited shows based on Game of Thrones but I’m pretty sure D and D had the right to conclude the main story which is why it was so controversial to have a conclusion to a story that the author didn’t have a conclusion to.

In the simplest form yes.

However if the contract called for more seasons, then they may be in breach. Many times the showrunners just get switched.

However if the contract is over the creators are not required to negotiate a new one.

Producers are able to decide when a show ends if the studio wants to keep making it.

Popularity helps balance the scales.

The cameraman in the Office

I didn’t want anything from you.

I made a true statement and people are acting like he’s supposed to be the hero of the show for some reason rather than what he very clearly was throughout- a side character.

Being upset about that is not something I have much control over, so until someone comes up with a storyline that indicates how crucial he continued to be in the story, I’ll just accept the notion that many disagree with my sound assessment and move on.

There is most certainly a character arc.

There’s tons of pointless death in the show and it seems silly to pretend Selmy’s character held more weight than others.

Quite frankly he was always just a servant for the other main characters.

There is nothing he provides except context for last actions which is important but never an ongoing necessity.

You can blame the writers all you want but you still haven’t given any evidence that his character has any chance if surviving much longer in the book narrative.

What what?

Arya is the most level headed Stark.

She hasn’t had a story that focused on intimacy before and Gendry was a connection strong enough for people discussing them throughout the entire run of the series.

People tend to say the same thing about Sansa and it comes across that people equate trauma with asexuality when plenty of people who have faced trauma also have sexual desire after the trauma.

Tyrion isn’t at that point in the book.

The storyline is different but the circumstances aren’t. He is literally heading out of the gate to face a mercenary army of thousands.

Tyrion is still a slave.

I’m not sure who was right in this one but Julianna Marguiles was supposed to a featured guest on Good Fight but wanted the same pay scale as she had in Good Wife for her appearances.

Producers said no, but the end result was she was basically given a new personality in a scene where she just stopped talking to her friends, her best friend was a lead in Good Fight, and then eventually moved to New York.

The funny thing is it almost matches up with the changes she was going through in Good Wife’s final season. lol l

How?

He was portrayed the same way throughout.

He was opposed to being killed and who can blame him, but he could just as easily die in the books.

Arya wouldn’t have sex?

Anything at this point.

I liked Andor just fine and kudos for a unique perspective, but it was also fine tooth combing a worn out story.

I don’t want anymore rebellion stories during the Skywalker timeframe unless they’re prequels to the new sequels just for variety’s sake.

I want something deep in the past or deep in the future or something far removed from what we know.

The two can easily co-exist and don’t seem to cover the same material.

The movies probably won’t be out until the show’s final season if not later.

Of course he is.

I’m trying to remember how common this was besides with Locke.