oldkidLG
oldkidLG t1_j6m5sqx wrote
Reply to comment by HongKong_Bussy_Lmao in Loss-less by TooSmalley
It sure sounds darn good for a dead format
oldkidLG t1_j6j6zp5 wrote
Reply to comment by Solypsist_27 in Loss-less by TooSmalley
Again, you completely disregard the impact of digital filters on the sound. To mitigate this negative impact, the higher the sampling rate, the better
oldkidLG t1_j6j5d84 wrote
Reply to comment by No-Bother6856 in Loss-less by TooSmalley
Sony's method must be based on something like that: https://hackaday.com/2021/02/24/audio-out-over-a-uart-with-an-ftdi-usb-to-trs-cable/
There must be an ADC instead of a DAC and therefore DSD is treated as audio. This is definitely feasible
oldkidLG t1_j6j2i7o wrote
Reply to comment by No-Bother6856 in Loss-less by TooSmalley
Both DSD and PCM capture the same live stream from the microphone, but DSD playback is more straightforward with far less digital filtered steps involved. I have just mentioned Sony's S-Master technology in another comment, which sends DSD directly to the amplification stage without digital to analog conversion. And the output is music
oldkidLG t1_j6j0hxl wrote
Reply to comment by No-Bother6856 in Loss-less by TooSmalley
This would only be that simple if capture and reproduction of sound were perfect. In reality, digital filters alter the signal. DSD avoid steep filters and retains the harmonics, whether you think they are audible or not
oldkidLG t1_j6izcu5 wrote
Reply to comment by Solypsist_27 in Loss-less by TooSmalley
Go check the frequencies produced by real musical instruments. You will see that they by far exceed 20khz. Of course, we cannot hear these, but as they are harmonics, they interact with the audible range of sound and we are perfectly able to notice when they're missing
oldkidLG t1_j6iyvys wrote
Reply to comment by klogg4 in Loss-less by TooSmalley
>1 bit samples, might you. Which do not replicate sound wave in any way, unlike PCM.
That's wrong. To replicate dynamic range of the analog signal, each sample is encoded to be played back at higher or lower frequency than the one before it. With at least 2.8 million samples per second, this creates a much better capture of the sound than anything PCM
That's funny that you chose ESS as an example, because recent AKM chips, (pre and post factory fire) all include a direct DSD path with a simple low pass filter.
There are also Sony's S-Master class D amp technology that send DSD directly to the amplification stage. That wouldn't be possible if DSD wasn't a faithful representation of the analog signal.
oldkidLG t1_j6ircu6 wrote
Reply to comment by klogg4 in Loss-less by TooSmalley
>DSD is an archiving format for analog sources, it does not have any other use cases. It does not do anything better than PCM in terms of sound. "Better approximation", "more information" and "less digital processing and filtering" - all of this is complete nonsense.
No, it's not. Take any recent DAC chip schematics, and you will see that the DSD circuit is shorter than the PCM one.
DSD take far more samples per second during recording. Of course, it's going to retain more information. You can't argue that
oldkidLG t1_j6illgj wrote
Reply to comment by klogg4 in Loss-less by TooSmalley
There is a misconception about the term "lossless" in digital audio. People think that the capture of the real performance is lossless. It isn't, because it is technically not yet possible. Even binaural recordings are a mere approximation of what it is to be there.
However, recording to DSD instead of PCM is a better approximation than PCM, because DSD retains more information and requires less digital processing and filtering.
As a matter of fact, DSD is almost analog. It's a digital continuous stream. Most delta sigma DACs use a multibit bitstream internally that is very comparable to DSD, but something is lost during the unnecessary PCM encoding and decoding steps.
Of course, if the music is digitally produced to begin with, there is no benefit in using DSD. But anything that involves live instruments and/or vocals will sound better if recorded and played back in DSD
oldkidLG t1_j6ih466 wrote
Reply to comment by klogg4 in Loss-less by TooSmalley
Literally every PCM DAC is compatible with DSD via DoP. Direct recording to DSD or analog to DSD conversion are both vastly superior sonically to PCM. There is literally no point to own an audiophile grade DAC if you never use it to listen to DSD.
oldkidLG t1_j6idp83 wrote
Reply to Loss-less by TooSmalley
DSD is above all of that crap
oldkidLG t1_j50k4tn wrote
Focal makes the best looking headphones in the World. They also sound really good
oldkidLG t1_iwmryyh wrote
Reply to comment by p_pal2000 in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
Zeos has very similar tastes compared to mine. He likes tubes, DSD and R2R. I trust him more than any other reviewer. I should probably try one of the IEMs he "tuned", even if I suspect these are just branding collabs.
oldkidLG t1_iwmqkwm wrote
Reply to comment by vext01 in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
Those peaks are pretty nasty
oldkidLG t1_iwmpnsc wrote
Reply to comment by p_pal2000 in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
I share my opinion on these because I checked a number of reviews before buying and not a single one mentioned that bright tuning.
Reviewers will often hype a product to get more products sent to them free of charge by manufacturers
oldkidLG t1_iwm97qq wrote
Reply to comment by hman4321 in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
That is not what I hear. Maybe it is a seal problem. They don't have the best fit for my ear canal. Frequency response graphs are not universal
oldkidLG t1_iwm161s wrote
Reply to comment by likebudda in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
Not necessarily, but there are too many stellar reviews and recommendations for these online. They're clearly not for everyone. The tuning is on the bright side.
I'll keep them for my old age though. I might be able to enjoy them when I lose my treble sensitivity
oldkidLG t1_iwm0soe wrote
Reply to comment by Altruistic_Ad5493 in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
I'm happy with my KZ ZSN Hi-Fi tuning. These are the 1 dynamic driver + 1 balanced armature driver model. Even something more V shaped like the Monolith M350 open back planar IEMs are very good to my ears.
oldkidLG t1_iwklaqk wrote
Reply to comment by likebudda in Saw Salnotes Zero new colorway and with 11.11 pricing I couldn't resist. by likebudda
Salnotes Zero are trash. They're way too bright
oldkidLG t1_iudfx5c wrote
Reply to My wife’s toy costume for 2022 by o0_bobbo_0o
That thing was my favorite toy as a toddler, but its eyes are creepy as hell
oldkidLG t1_itrzf2h wrote
Reply to comment by Then-Effective5434 in Sincere question: does technicalities exist, or everything what matters is FR graph? by Then-Effective5434
They're from Dekoni audio. I would say that they improve details perception in the treble without any detriment to the bass or mid range. I should have the opportunity to listen to Utopia 2022 in a few weeks and I'm going to try to compare them to my Elex
oldkidLG t1_itrnt5q wrote
Reply to Sincere question: does technicalities exist, or everything what matters is FR graph? by Then-Effective5434
I have a Focal Elex with fenestrated sheepskins pads, so I think I should reply even if I haven't had the pleasure to listen to Utopia yet. With these pads and if I use something like MorphIt to EQ them with Utopia as a target, I would get very close to the real deal, but they will never match the speed of the beryllium drivers. So, yes technicalities are definitely a think when frequency response is determined by the physical properties of an unusual driver material.
I don't have the time or knowledge to answer for all types of headphones technicalities, but I can speak of slam or punch.
I believe slam is unrelated to the frequency response. It has to do with the volume of air the driver can move at once. If the whole audio chain from file format to DAC, amp then headphones is optimized to maximize dynamics, slam is definitely perceptible.
See this thread
or this post for more details.
oldkidLG t1_j6mejmg wrote
Reply to comment by HongKong_Bussy_Lmao in Loss-less by TooSmalley
I can't. But those high frequency harmonics influence what I can hear, impacting things like soundstage and timbre