stereoroid

stereoroid t1_jdvc5z5 wrote

Yeah, stainless steel contains hexavalent chromium. From Wikipedia:

> Workers in many occupations are exposed to hexavalent chromium. Problematic exposure is known to occur among workers who handle chromate-containing products and those who grind and/ or weld stainless steel.[6] Workers who are exposed to hexavalent chromium are at increased risk of developing lung cancer, asthma, or damage to the nasal epithelia and skin.[2]

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stereoroid t1_ja9ik0s wrote

One example that springs to mind straight away is The West Wing: mild spoiler ahead. At the end of season 1, something major happens, and the first episode of season 2 is a 2-parter with a lot of flashbacks about "how the team got together" a few years earlier. I think it was related to the fact of having a second season at all, meaning they could do a more detailed dive in to character origins.

Since The Last Of Us is a clear success, I think something similar is happening: we can now invest more in to these characters.

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stereoroid t1_iycmacb wrote

I read the books years earlier, and thought they would be largely unfilmable. Few even tried e.g. the animated adaptation from the 1970s wasn't completed properly. So respect to the screenwriters for making some necessary changes without doing a Hollywood hack job on the story.

If you're used to a conventional 3-act structure over 2 hours, I get why you'd think the movies to be slow. But we're now in an era where film-makers don't have to lock themselves in to conventional movie constraints: you just see the results on Netflix as a 10-part miniseries, not in the theaters as a movie.

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stereoroid t1_iy80un0 wrote

Clarke (with an e) is all about the big ideas, even if the execution can be a little clunky at times. I enjoyed the Childhood's End miniseries adaptation a few years ago, but you could tell that major changes in characterisation etc. had to be made to make it work on screen.

Clarke had a warped sense of humour too e.g. the physical appearance of the Overlords (which I won't spoil) is simultaneously a nod to human history and mythology and a big middle finger to Christian sensibilities and to religion in general. I could say that about the whole book (mild spoiler): religion could not and does not survive in the face of a far grander but weirder reality.

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