Submitted by Kelvin_Inman t3_z8faqt in movies
I always enjoy a good submarine movie. I recently revisited Crimson Tide, an excellent movie that is more about the dynamic between the two lead actors than any battle between submarines.
The first of several collaborations between director Tony Scott and Denzel Washington, this one seems to get overlooked when discussing great Denzel performances.
It is rare for a movie with two leads to be equally talented, sometimes one’s presence overpowering the other on screen, but Denzel and Gene Hackman have a perfect dynamic. Just as much as the story develops into old versus new (the characters ages, experience, and perspective on war), you can feel a well established actor challenging and being challenged by a rising talent. It feels like not just Denzel’s character being put through the ringer by Hackman’s character, but Hackman himself challenging (and being challenged by) Denzel the actor.
Notable supporting performances by Viggo Mortenson and Jame Gandolfini add to the intensity.
Highly recommended.
carltonfisk72 t1_iybkcfb wrote
Wanna know a great story/lesson in acting? Straight from a producer's mouth (second-hand, obvs):
I believe it's after the missle-drill scene, when a real fire breaks out. Denzel wants to cancel the drill, but Hackman keeps it going. And the result is, a cook dies from a heart attack.
So the scene is Denzel pleading his case on why that was mistake, and Hackman listens, and listens, and listens... and when Denzel is done, Hackman lays into him, and re-establishes his authority.
And the key to the performance is that Hackman has his eyes/eyebrows lifted open the entire time... but then just before says his line, he *drops* his eyelids dramatically... and suddenly his expression goes from 'friendly' to 'menacing'. Its perfect.
Now, to how that came about:
Scenes are filmed for practical purposes: you light the master shot, then slowly move the gear, lights and crew in for the medium shots, and then finally closeups.
Real actors save "the good stuff" for their closeups. And Hackman is a real actor.
So on the day, Hackman never did his "expression change" for the master or medium shots. He only did that facial move for the closeups.
He was essentially 'directing' the scene with his choice of performance, even though no one realized it during the shoot.