DeedTheInky

DeedTheInky t1_j936qio wrote

A few of things that might be worth a punt maybe?

  • The Monster is (AFAIK) made completely from parts of adult humans, so maybe you could argue that it's a human adult? Some sort of "ship of Theseus" type of thing? How many parts can you transplant on a person before they become a monster instead of a human?

  • By a similar note it presumably has a brain from a specific person? If I die and get revived and lose my memory and commit a crime, am I still culpable? Maybe you could argue that it's like a Doctor reviving an injured person who then has brain damage which leads to them being violent?

  • The Monster presumably shares no DNA with Frankenstein and I doubt he did any formal paperwork to adopt it, so is he legally responsible for it? Morally he probably is, but would that hold up in court?

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DeedTheInky t1_j6mojiz wrote

Yeah for that one I immediately pictured someone reading out loud at full volume in a library, recording it on their phone and then playing it back to themselves (also at full volume) because that's the only way they can read a book somehow, and getting really defensive with anyone who asks them to shut it lol.

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DeedTheInky t1_j6cfpgy wrote

I took it as a dig at the islanders - this big important thing is happening literally within earshot and nobody cares to even try and understand it, it's just this sort of bemusing bit of background scenery to them. Which is why the sister leaves, she's just had enough of their ignorance and nonsense.

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DeedTheInky t1_j1je391 wrote

My go-to thought for reassurance is that historically, humans do seem to have a really good knack for just pulling a hail-mary solution out of their ass at the very last moment. It's no guarantee of course, but I wouldn't be surprised if in the next few decades we manage to just bust out carbon capture and fusion power or something ridiculous like that TBH.

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DeedTheInky t1_j1jcbw0 wrote

I'll raise you an Ursula K. Le Guin:

> Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

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