mittenknittin

mittenknittin t1_je0jrsy wrote

Memoirs often have the effect of reading like a novel, because it’s someone telling the story of their life, except they’re not tidy and satisfying like a novel because nobody’s life is tidy and satisfying with all the loose ends and plot points neatly tied up at the end. A bunch of stuff happens, and there’s no real underlying plot. Might this be your issue?

That said, one of the most entertaining memoirs I’ve read is Harpo Speaks! by Harpo Marx. There’s a remarkable amount of real history in there, related by a guy who lived it, from the Vaudeville era to early Hollywood to the stock market crash of ‘29 to the Algonquin Round Table.

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mittenknittin t1_jdmveh2 wrote

To the extent that it grows from resources provided by the mother’s body, sure. But the coded instructions, so to speak, for growing the placenta, come from the fetus.

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mittenknittin t1_ja86phe wrote

There is something I’ve read more than once from authors about ”not starting unfinished series;” one of the problems is, sometimes the contracts they’re working under stipulate that if there isn’t enough interest in the first books, the publisher isn’t required to order up sequels. (Not in the publishing industry myself, so I don’t know how the details work.) So, if enough people refuse to read a series before it‘s finished, that becomes WHY it never gets finished. While this probably doesn’t apply to authors who are already super-successful like Martin or Rothfuss, it’s food for thought. Support the authors you love when they start new series.

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mittenknittin t1_j6p602p wrote

I will have to look for that one. I have enjoyed a couple of her other books, The Hollow Places and The Twisted Ones. Both also horror, and the Twisted Ones especially; I'd never really run across as effective a jump scare in a book before.

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mittenknittin t1_j6bzj0k wrote

The whole panic about drag is seriously new in America too, like within the last 10-20 years. Used to be way more common. I mean people still love the movie Mrs. Doubtfire. There was an entire sitcom starring Tom Hanks and Peter Scolari called Bosom Buddies about two dudes who dressed in drag so they could live in an apartment building that was for women only (which is an interesting artifact itself.) Can’t say it tanked their careers; on the contrary it was extremely popular.

In my lifetime I’ve watched certain groups of people get WAAYY more skittish about drag, as if there MUST be a sexual connotation to it, and it’s not a good thing.

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mittenknittin t1_j6atnzq wrote

I had an odd experience with this series; I first read the first book at about 19, and just...didn't fucking get it.
Read it again a few years later and couldn't fathom how I hadn't realized HOW FUNNY it was. I don't know if it was too British, or what, but the humor just hit much different after I had a few more years on me.

But it sounds like it's just not to your taste. I don't know how funny I'd find it now, I haven't read it in many years.

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mittenknittin t1_j4yn7ix wrote

Well…when the author wrote the book did they write it to be taught in schools, picked apart for themes and symbolism, and analyzed for historical context and literary importance? Or did they write it to tell a story they wanted to tell? I suspect some authors actually would care if you enjoyed the story as written without knowing what came next. Writers put as much craft into foreshadowing and plot twists as they do into describing the curtain as blue because it symbolizes depression.

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