atomicitalian

atomicitalian t1_jacglln wrote

You need software for it, of which I'm sure plenty free programs exist. More importantly though you need to make sure your sister's drive can actually burn a CD. Not all CD-ROM drives have the ability to write on black discs

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atomicitalian t1_jabr3pj wrote

I mean this isn't really a plot. I guess it could be a good inciting incident but you'd need to probably give us more of the story before we can give any solid feedback regarding it's quality.

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atomicitalian t1_j91f0ew wrote

Sure but you can also look at modern day practice of stopping and restarting the heart to bring people back and see they don't become monsters.

So I would argue it's not the revival of the dead that's in question but the method. And while Frankenstein's methods were certainly unorthodox, theres no reason to assume they would inherently lead to an evil outcome. He didn't use voodoo or teeth to make skeletons or do witchcraft or demon summoning, he was doing a medical procedure.

We transfer organs all the time and have even done penis and face replacements. So using foreign organs to restore someone's health isn't inherently evil, and using electricity to restore function to a body isn't inherently evil, therefore I'd argue Frankenstein could have reasonably assumed his experiment would have similar, non evil outcomes, and not result in a monster.

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atomicitalian t1_j917im8 wrote

I guess it depends on the fictional history of the trial, but I would argue that all successful resuscitations before and after this one resulted in a normal living human.

This one resulted in a horrible monster. How could he have predicted it would be a horrible monster? Science doesn't really recognize "souls" as real, so Dr Frankenstein - a scientist - would have had no reason to think a body made it disparate parts versus an intact corpse would act any differently upon revival.

(Obviously I'm not asking this for real merely just playing the part of a defense attorney here)

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atomicitalian t1_j906hav wrote

If you want to go hail Mary, I would actually argue that in order for criminal negligence to be applicable a reasonable person in the same situation would had to have perceived that your reincarnated monster would be super strong and aggressive.

Because there is zero precedent for such an event, there is no way to know what a "reasonable person" would typically perceive, and thus the standards of criminal negligence can't be applied.

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atomicitalian t1_j2900re wrote

Not everyone is looking to fill out their friend roster. Sometimes people are looking for something more, and that's ok. No one owes their friendship to anyone else. Just like she can turn down his romantic advances he has every right to withhold his companionship.

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atomicitalian t1_j28znpc wrote

Is there any evidence he had a "strong reaction" ?

I mean op can clarify, but wanting to keep your distance from someone who just turned you down isn't weird, especially if you're a dude and you don't want to come off as a weirdo. She didn't say he freaked out on her, just that he kept his distance, which makes sense considering he was probably embarrassed.

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atomicitalian t1_j24r8m3 wrote

I think there's a difference between seeing a really fascinating setting and thinking "man I'd love to explore that" then like, looking at Henry Hill from Goodfellas or Tony from the Sopranos or Walter White and thinking "those guys are BADASS I want to be like them"

The former I think is a pretty natural reaction to the unknown and the mysterious, the latter is just not really understanding the characters as they're presented.

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atomicitalian t1_j22tm9j wrote

Smooth Jazz, ideally with a little bit of funk mixed in. You'd probably like the original "just the two of us." My dad used to listen to a lot of that music. I remember the rippingtons, Dave Koz, Rick Braun, and I know there's a bunch of other bands and artists in that genre I'm forgetting.

It's not all going to scratch that itch, and someone who is more of a music nerd than me may know a hyper specific name for it, but if you can find smooth Jazz with a little bit of 70s fender Rhodes and funk accenting it I think you'd probably find a lot you like.

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atomicitalian t1_iy86qah wrote

I think you might be thinking a little too literal about the movie. The scene where they're fighting I think is pretty clearly meant to be a visual representation of struggling with someone to get them to see and acknowledge uncomfortable truths, particularly those that will spur them to action.

I'm a reporter in real life and that's basically what doing my job feels like - most people just want to keep their heads down and get paid, not realizing that shit is gonna get worse if they don't pay attention and do something, so you're constantly trying to shovel information out there and hope it'll break through people's guards.

That's at least how I see the scene - someone who sees a problem desperately trying to convince someone else there's a problem.

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