Submitted by AliciaWrites t3_11n2zms in WritingPrompts

“If journalism is good, it is controversial, by its nature.”


Happy Thursday writing friends!

Is your character affected by journalism somehow? Is something in the news shocking people?! Are they a journalist themselves and maybe seeking adventure? Who knows, worlds to explore! Good words, everyone!

Please make sure you are aware of the ranking rules. They’re listed in the post below and in a linked wiki. The challenge is included every week!

[IP] | [MP]

New! Bonus: (15 pts) Your story must take place at twilight (10 pts) and use the Word of the Day in your story (5 pts).

Word of the Day:

> Seasoned/sea·soned

> adjective

> * (of food) having had salt, pepper, herbs, or spices added.

> * (of wood) made suitable for use as timber by adjusting its moisture content.

> * accustomed to particular conditions; experienced.



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As a reminder to all of you writing for Theme Thursday: the interpretation is completely up to you! I love to share my thoughts on what the theme makes me think of but you are by no means bound to these ideas! I love when writers step outside their comfort zones or think outside the box, so take all my thoughts with a grain of salt if you had something entirely different in mind.

(This week’s quote by Julian Assange)


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Last week’s theme: Irony


First by /u/katpoker666*
Second by /u/nobodysgeese*
Third by /u/Tomorrow_Is_Today1

Crit Superstars:*

*Crit superstars will now earn 1 crit cred on WPC!

=====

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15

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GingerQuill t1_jc8l03e wrote

“Homicide Victims Rarely Talk to Police” —The Express-Times

Madam Lin Merlo sat in her candle-lit living room between Detective Mullen and a crystal ball. A milky mist swirled and pulsed within the glass as a nasal voice spoke.

“I ain’t squealin’ to no cops!”

“Sir.” The seasoned detective’s hands throttled the air. “We’re trying to catch your murderer!”

“So? I already know who did it.”

“Don’t you want them brought to justice?”

“What justice? Ten years' prison time? Five if they play nice? Besides, I’m dead. What good is justice to me now?”

At this, Lin shrugged in agreement and took a drag from her pipe. Its indigo clouds mingled with the smoke from the incense burning on the mismatched end tables.

Detective Mullen ran his hands through his greasy hair, then squinted at the medium.

“You’re losing your touch, Lin.”

Me?” Smoke fluttered from her nostrils. “You can hear him loud and clear, can’t you?”

Clasping his hands, Detective Mullen returned his attention to the crystal ball. He tried on a more sincere tone.

“Sir, what if he kills someone else?”

“They’ll just wake up here. There are worse things.”

The detective whirled wide-eyed to the medium.

Lin!”

“What, you think I can just shove my hand up his metaphysical ass and make him talk?” Lin mimed a puppet with her free hand, and a laugh burbled from the crystal ball.

“I don’t know why we bother with you.” The detective stood up from the ripped sofa, pulling a cigarette box from his trench coat. He spat over his shoulder as he trudged toward the apartment door. “This’ll make nine unsolved homicides, Lin.”

After the door slammed shut, Lin gazed from her clashing, secondhand furniture to her leaky windows. Outside, the last bit of orange sunlight bled into the blackening sky over a city where nine murders lurked.

With a smoky sigh, she decided she really didn’t want to be thrown out onto those streets.

“Mr. Ricci, they actually pay me big to help solve murders, and if this keeps up, I’m gonna be living on Ramen and packaged underwear. Is there any way I can bribe you?”

“I’m dead. What could I possibly need?”

“I don’t know. Where’re you at? Heaven? Hell?”

The crystal ball dimmed for a moment.

“...It’s mostly empty space.”

“Oh, there. Well, eternal emptiness will get boring quickly.”

“Sure, but it’s not like you can ship me a TV.”

Lin took a thoughtful drag and looked around her living room. Her eyes fell on her dusty childhood boombox.

“Well, you can hear me fine right? How about radio? You like music? Audiobooks?”

“Ooh, I love those true crime podcasts. Got any of those?”

“I can get them.”

“Alright. One hour a day—”

“Woah there. I have a life… and eight other spirits to bribe now that I know I can. Twice a week.”

“For two hours each.”

“Deal.” Lin tapped her pipe over an ashtray, then sat up straight. “Now, who dunnit?”

11

LivelyFox3737 t1_jc9em2y wrote

Loved this story, Ginger! You had me hanging on to every word of the snappy dialogue and intrigued about where it was all leading to.
I'm crap at crit, and can't find any in this to give. What I can find is plenty of particularly delicious spots, such as:

>The seasoned detective’s hands throttled the air.
>
>....shove my hand up his metaphysical ass...

2

FyeNite t1_jcaugx7 wrote

Hey Ginger!

I honestly thought you were leading up to Lin being the secret killer all along. She killed these people and then does actually have the power to control them to throw off the police. And that's not even a critique, I loved the twist that you actually went for.

I also think you did a great job with just the complete frustration here. I mean, I was annoyed just hearing the guy talk, forget actually having to deal with him, haha.

Really well done.

I do just have a few bits and bobs for you though,

> The detective whirled wide-eyed to the medium.

So this bit didn't exactly sit right with me. Why was he so surprised or annoyed? I mean, sure, the answer was dumb but did he honestly expect to get a genuine answer here? I'd expect him to groan or storm out, but whirl around in surprise?

> After the door slammed shut, Lin gazed from her clashing,

I just wanted something more here to indicate the perspective change. A line break could work but not sure. Up to you though.

One final thing, I understand one victim acting this way but nine? Why would they all react like this? Seems maybe a bit unrealistic. But that could just be me misunderstanding.

I hope this helps.

Good Words!

2

Xacktar t1_jbonhvj wrote

"Thank you all for coming." Senator Rich Crook smiled through his false teeth at the crowds of reporters stuffed into the press room. He wore an immaculate suit. His dark hair was seasoned with just a touch of its actual gray, arranged by professionals to make him look every inch like a competent politician.

"I've called you here today to make a formal announcement." He settled himself at the podium, placing his hands on each side of the flimsy stand, "The senatorial committee for governmental transparency, of which I am the chair, has decided by unanimous vote, that it is in the governments best interests to stop wasting time and money hiding our obvious and well-known corruption. From now on, we will do whatever we like without consequences, as usual, but we'll no longer pretend that we're not."

He flashed his smile for the cameras and raised his hand in a stoic, yet friendly wave, "Any questions?"

Like chickens when the feed tube opens, a dozen heads bobbed up and squawked. The Senator pointed to the loudest of the bunch.

"Cash Clickbait here, Weekly Whiner. What will this mean for the upcoming vote on social security?"

"Great question." The Senator leaned forward, "Under this new ruling, we can freely admit that we've completely gutted social security to pay for private jets, summer mansions, and a very elite, hidden resort that only the ultra-rich have access to. I'd like to praise the public for their generous trust in the program and to give them my personal thanks for all their contributions. Next question,uhhh, yes, you."

"I. D. Seller, from This-Newspaper-Is-Brought-To-You-By-GEICO-GEICO-You-Can't-Escape." The young man paused to catch his breath, "How will this affect the next senatorial race? With this new transparency system, aren't you afraid of senate seats being lost, or even replaced by independents?"

"No." Senator Crook shook his head, "Due to the Each Vote Matters bill that passed last year, it's impossible for votes to actually matter. With unfair gerrymandering and the strategic removal of voting locations, we can secure every senate seat until military medical technology can no longer keep us alive. Now you, miss?"

"Unpaid Intern, Doom and Gloom Gazette." The young woman squeaked, "Um, uh, how will this affect, uh... the economy?"

The senator gave her a reassuring smile, "The Economy, as you know, is simply a measure of how quickly the upper class harvests money from the uneducated public. Thanks to ineffective financial regulation, the economy will continue to grow until we bleed the country dry. Then the upper class will use insider information to bail on the market right before the crash."

More hands went up and more squawking chickens clamored for a sound byte, but the senator just held up his hands and waved, "Sorry. That is all the time I have for today. It's just passed sundown and I have to fly to Hawaii for a senatorial ethics committee which is just golf and wine tasting. Thank you all, goodnight!"

8

FyeNite t1_jc3u7hw wrote

Hey Xack!

Oh my god, this, this is amazing. So so hilarious in the worst way possible. Can't believe you've done this, haha.

I really liked how you went about answering each question, giving genuine thought to the responses to the point where it became scarily accurate. And all while funnelling it through this smug old dude, haha. I loved the names you gave the reporters and their news companies too!

I do just have a few bits and bobs for you though,

> His dark suit, dark eyes, and dark hair seasoned with just a touch of it's actual gray was arranged by professionals to make him look every inch like a competent politician.

So this sentence felt a bit awkward to me. It almost reads like there was a touch of grey in his suit and eyes. And I imagine that's not what you were going for. And maybe some shortening could help too.

Also, I think you want "...touch of its actual gray..." here.

> He flashed his smile for the cameras, raised his hand in a stoic, yet friendly wave, "Any questions?"

One thing here, I think you could swap that middle comma with an "and". There are only two actions here, so no need for a comma.

>Due to the the Each Vote Matters bill that passed last year,

An extra "the" here. No biggie.

> "Sorry. That is all the time I have for today. It's just passed sundown and I have to fly to Hawaii for a senatorial ethics committee and wine tasting. Thank you all, goodnight!"

Finally, I feel like bringing the ending back to the announcement a bit more would help here. I get that you were going for the irony of a literal corrupt politician going to an ethics committee, and then the wine-tasting later too. But I think if you reworded it to something like "for a senatorial ethics committee which is actually just a wine tasting gathering..." it could work better. Go back to that 'I'm still corrupt but I'm going to be honest with you about it.' But that's just a suggestion.

I hope this helps.

Good Words!

2

wordsonthewind t1_jcb9fyc wrote

Honest politicians! I never thought I'd see the day.

You really took full advantage of the press conference format. The names were hilarious and the senator was just glorious as this smug old man reveling in his power and corruption-backed excesses. The alleged senatorial ethics committee at the end was a wonderful touch too.

>From now on, we will do whatever we like without consequences, as usual, but we'll no longer pretend that we're not.

I think this line could have been a little more concise though, maybe through Rich being blunter. Just my two cents.

Good words!

2

katpoker666 t1_jc7y1kd wrote

‘Dodgeball Gods’

—-

Stanton Elementary’s grounds embraced their rural setting. Blessed with plenty of space, crabapple and sycamore trees lined dappled asphalt paths. The baseball field spread out next to the pristine basketball court. But at the heart of it all, in the disused tennis court, dodgeball was the name of the game.

Cotton stood with his buddy Pepper as the team assembled in the early evening’s fading sun. Younger and shorter with red hair, he was nevertheless the leader, as his friend’s slightly slumped shoulders attested.

“They’re looking good, Pepper. In fine form. And aren’t those shirts great?”

“Yes indeed, Cotton. The school’s done well with the new gym uniforms… And wow! Look at them go—straight through the metal gate and onto the court.”

The students gathered in a line as the two self-declared captains, a gawky kid and a tanned, brunette, picked sides.

“The first few choices have been unsurprising—your standard dodge gods. Wait, did you see that, Pepper?! Scrawny new guy gets chosen over the next round of ball hogs?”

“It’s a bold strategy, Cotton, let’s see if it pays off for them.”

“And look, it’s everybody’s favorite gym teacher and the coach for both teams to provide some inspiration!”

A man with thinning brown hair and a mustard-stained blue shirt stepped forward. “Alright, kids, it’s time to review the five Ds of dodgeball—dodge, duck, dip, dive, and dodge. And, if you remember nothing else, if you can dodge a wrench, you can dodge a ball!”

“Words to live by, Pepper. Words to live by.”

Six players took to the court on each side. Angry looks and scowls at those usually considered their friends were the norm in dodgeball.

“Ain’t no room for smiles here. Dodge ball is life!!”

“You’re quoting Ted Lasso now, Pepper?”

“At least it’s a current reference!”

“Touché, Pepper. Oh, no—look! Inside-out-shirt team’s captain got walloped. Ouchtown, population: you bro!”

“Is t-that blood?”

The captain roared as the ball hit the ground, indicating a fair play. “Nobody makes me bleed my own blood!”

“Gross. I just threw up in my mouth a little bit.”

“TMI Cotton. Moving on. Who will win is the big question of the day! Will it be the righteous right-side-out shirts or the incredible inside-out ones? Only time will tell.”

As the three balls whizzed back and forth between the two teams, Cotton and Pepper watched, mesmerized.

“Didya see that catch? Gonna be a substitution for sure!”

“Right, you are Cotton. And in good time, too—the players look pretty tired out there.”

The seasoned coach glanced up at the reddening sky, darkening to black. “Time to call it, kiddos.”

“But, coach,” the right-side-out captain whined. “We’re tied! Didn’t you say ‘only losers end on ties’?”

The coach combed through his sparse hair with his hand, little wisps floating in the breeze, before standing tall. “You’re all losers then, I guess! Hit the locker room!”

“Who would have seen that coming, Cotton?”

“Well, it has happened the last six games…”

—-

WC: 499

—-

Thanks for reading! Feedback is always very much appreciated

8

FyeNite t1_jc85shl wrote

Hey Kat!

Hehe, I loved the commentary here. You have some hilarious moments like the TNI comment and all the different uniform descriptions, haha. I think you did a fantastic job characterising the two kids too! Even without dialogue tags, I could make out who was who here with the speech.

Also lol, I loved that twist ending. The coach was clearly fed up with the game and just wanted to end the class. So hey, everyone's a loser, haha.

One specific detail that I liked here was where you had the game situated. On the disused tennis court. It pretty much tells us everything we need to know about how the teachers of the school view the great game of dodgeball, thereby setting up some of the other jokes going forward.

So really well done!

I do just have a few bits and bobs for you though,

> Blessed with plenty of space, crabapple and sycamore trees lined dappled asphalt paths.

I do think you might want just a little more here. You mention the trees, but is there anything more? Maybe something about hills or forests in the distance? Everything was neatly mowed grass? Just something more to this beautiful description, basically.

> Cotton stood with his buddy Pepper as the team assembled in the early evening’s fading sun. Younger and shorter with red hair, Cotton was nevertheless the clear leader, as Pepper’s slightly slumped shoulders attested.

I think there's just a bit of repetition of names here. I think using a few pronouns instead could work better because you've already established who you're talking about. So something like:

"Cotton stood with his buddy Pepper as the team assembled in the early evening's fading sun. Younger and shorter with red hair, he was nevertheless the clear leader, as his friend's slightly slumped shoulders attested."

Maybe that could work?

> “They’re looking good, Pepper. In fine form. And aren’t those new uniforms great?”

> “Yes indeed, Cotton. The school has done well with the new gym uniforms… And wow! Look at them go Straight through the metal gate and onto the court.”

I think you just repeated the bit about the uniforms here.

"And aren’t those new uniforms great?"

And,

"The school has done well with the new gym uniforms…"

Both seemed like introductions to the uniforms. Like two different ways to bring our attention to them for the first time, if that makes sense. Maybe cutting one?

Also, the second bit of the second paragraph made me think that the uniforms were running through the gate for a second. Probably didn't help that I originally read it as the gate still being closed, haha. Just a small thing.

> And, if you remember nothing else, if you can dodge a wrench, you can dodge a ball!

Just a bit of repetition of "if you" here a little close together. Hmm, not sure how you could change that though...

> the Right-side-out captain whined.

And finally, the name for the uniforms. It's named two different things I believe:

"right-way-round shirts"

And,

"Right-side-out"

I'm not sure if that was intentional though. However, considering the other team goes by a consistent name, I'll leave this here in case it wasn't.

I hope this helps.

Good Words!

2

katpoker666 t1_jc86k07 wrote

Wow! As always some great crit! Thanks so much, Fye! :)

2

LivelyFox3737 t1_jcco7x7 wrote

Kat, you've given us another delightful read. I never fail to smile reading your stories, I'm in for a shock if you ever write a dark piece!
Smiled big time at "dodge gods". I can see that as a title also, a nice little juxtaposition for the disused tennis courts in the first para.
I've awarded myself the title of Crap Critiquer...so I'll be scuttling off now!
Thanks for an enjoyable story.

2

katpoker666 t1_jccq3yx wrote

Thanks Lively appreciate the kind words and feedback. May also steal your title idea :)

2

LivelyFox3737 t1_jbweaj6 wrote

Lying for Truth

My first day on the job was finally drawing to a close. With relief I snapped the laptop closed, eager to answer the call of my personal laptop beckoning me home so my real work could begin.

The only truthful skill in my bogus resume was my talent for multi-tasking. Not that my new boss had done anything more than give it a cursory glance, his small piggy eyes had been too busy feasting upon my cleavage. The job had been mine from the moment I had left an extra button undone on my blouse. Brains need not apply.

Every office at Magenta Party HQ was adorned with the campaign slogan, “Fighting for Fairness!”. I felt my face twist with derision, not so fair for Sarah Perkins it seemed, whose chair I now occupied. I squeezed my throbbing feet back into the unaccustomed confines of high heels, time to parade my way out with their stimulating click-clacking.

“You can’t leave now!”, exclaimed John Harris, his florid face suddenly peering around the door, his piggy eyes running all over my body like slime, apparently still unable to find my eyes. “It’s office tradition to treat the new girl to after-work drinks on her first day. I’m not taking no for an answer.” Damn, he worked fast!

“Oh, I’d love to Mr. Harris!”, I breathed, all wide-eyed innocence. “Give me just a minute to freshen up my make-up and I’ll meet you there.”

“Ok love, me and the boys will have a drink waiting for you. The bar across the road.” His modus operandi hadn’t changed. Sarah hadn’t stood a chance as she had been wilfully led into unconsciousness and into the dark void where non-consent wasn’t possible.

With his sweaty presence gone, I carefully lined my oversized handbag with a heavy-duty plastic bag to pour all the drinks I was not about to drink as I distracted them with the wonders of a further button undone on my blouse.

Next, I carefully fixed the tiny microphone behind the campaign button I pinned to the bag, ready to catch the seasoned player in his nasty game as I feigned leg-opening inebriation. He’d be sure to boast to the boys about his next conquest every time I stumbled to the restroom. I’d been rehearsing for this moment fastidiously since first interviewing Sarah, and felt strangely calm, dangerous, and ready.

I reapplied my lipstick of fire-engine red, although he wouldn’t see the warning. I planned to stamp out those life-shattering flames forever. Battle-paint ready, I marched off to war. If I played this right, I would have this wrapped up by midnight and the story on my editor’s desk by morning.

Passing under yet another poster screaming “Fighting for Fairness!”, I raised my fist into the air and exclaimed, “Oh yes I am. This is for you Sarah!”. I headed out into the twilight of the groaning city and towards John Harris, whose career was about to be cast into perpetual darkness.

(WC: 499)

7

FyeNite t1_jc3znha wrote

Hey Lively!

Heck yeah, she's so got this.

I loved how from the start, we get the sense that something else is going on underneath. The language that you use, the way our character manipulates the situation and people around her to get to the story she's looking for.

I also really like the irony of the slogan. And the way you bring it back at the end and actually give it the sense that it's true this time.

I also think you did a great job of characterising John and even the boss in this. Even though we don't see much of the latter, you do a good job of giving us a picture of what he's like. So very well done!

I do just have a few bits and bobs for you,

> With relief I snapped the laptop closed, eager to answer the call of my personal laptop beckoning me home so my real work could begin.

Just a little bit of repetition of "laptop" here. I think simply going for something like "computer" could work just as well and avoid repetition.

> his piggy eyes running all over my body like slime,

Similarly, there was just a bit of repetition of "piggy eyes" here and with the boss. Just stood out to me. If you want to keep it, you could insinuate that the boss and John are related I suppose. Father and son, thereby explaining why he acts as he does. But just a small thought I had whilst typing this.

> Damn, he worked fast!

I'm not too sure what this meant. Are you saying that she was surprised he sprung the drinks thing so soon? Because it seemed pretty reasonable to me, as it's said that they were taking the new girl out for drinks. But not sure.

> I carefully lined my oversized handbag with a heavy-duty plastic bag to pour all the drinks I was not about to drink

Again, just a bit of repetition of "drink" here. No biggie.

> “Fighting for Fairness!”, I raised my fist into the air and exclaimed, “Oh yes I am. This is for you Sarah!”.

This felt a bit silly to me. First off, shouldn't she be afraid of someone overhearing? Or has everyone left already? And even if they had, it still is a bit strange, no? I don't know, might just be me.

YTB!

I hope this helps.

Good Words!

3

LivelyFox3737 t1_jc9061j wrote

Thanks, Fye! Yet again your astute eye has picked up on some very important bits and bobs.
The Boss and John are actually one and the same, hence the use of piggy eyes twice which I thought would make this evident, but apparently not. Thank goodness you're here to help point these things out.
NYTB!

3

FyeNite t1_jca5p8s wrote

I see! Lol, that's way simpler. I was thinking you were trying to imply this was a father-son thing. Lol, trust me to overcomplicate things. But glad you found the feedback helpful!

NYTB!

Good Words!

3

LivelyFox3737 t1_jcclaw5 wrote

I always find your feedback very helpful! There's a real skill in giving good feedback and crit...I just don't have it, hopefully, I'll improve and learn from people like you as time goes on. It means so much to us scribblers of words.

No, you didn't overcomplicate, the wonderful Kat also got confused thinking there were perhaps 2 characters. Of course you didn't because YTB.

2

FyeNite t1_jcdczxe wrote

Aww, thank you! And I guess, that's how I feel about you and your guys' writing. Seriously, you blow me away with what you come up with every week. It's amazing and a pleasure to read. And an honour to give feedback too.

And glad to hear my confusion wasn't limited to me, haha.

YTB

2

katpoker666 t1_jccbii9 wrote

Hey Lively—I really liked the MC here and her approach to doing the right thing!

A couple small notes—

  1. You may want to introduce John Harris by name when you first mention him as the piggy eyed boss. The logic is just it took me out for a tenth of a second because I wondered if there might be two piggy eyed guys in the office. You then can also cut a little bit of either of the descriptions as while they’re fantastic they do repeat the concept of sleazy boss slightly:

>>Not that my new boss had done anything more than give it a cursory glance, his small piggy eyes had been too busy feasting upon my cleavage. The job had been mine from the moment I had left an extra button undone on my blouse. Brains need not apply.

>>”You can’t leave now!”, exclaimed John Harris, his florid face suddenly peering around the door, his piggy eyes running all over my body like slime, apparently still unable to find my eyes.

  1. this made me a little uncomfortable as the MC was playing into the game a bit too much for me:

>> The job had been mine from the moment I had left an extra button undone on my blouse.

Otherwise, most enjoyable:)

2

LivelyFox3737 t1_jccm7u6 wrote

Thanks, Kat. I'm grateful for your feedback as always. The wonderful Fye also got confused as you did in 1. The point is definitely taken! Thanks for highlighting your issue in 2. You've given me pause for thought on how I could have tackled this differently.

2

NotMuchChop t1_jbt2krh wrote

Pauline was sat on the trunk of her custom painted (off-white and rust) Camry. It was getting late. She had driven out here, to the worst-polluted beach in town, and parked with the boot towards the ocean so that she could watch who came and went. That job had passed hours ago and now she watched the day run out.

The Sun had set — was swallowed whole by the ocean — and the wasted hours were getting to her. A feeling which was exasperated by the waves and their gentle cooing pleas to remain cool-headed...

Shhhh. Shhhh. Shhhhh.

Pauline hated being told to calm down. Hated it.

Her eyes were on the hazy golden dregs of unfinished daylight and she watched as the coming night slowly slurped it up. Late. The backs of her sensible sneakers took turns to bounce off her cars already dented rear fender — each passing second was gifted a short yet firm kick.

Her contact was late. Very late.

Beyond being a boredom-based bumper-beating metronome, Pauline works as a self-employed investigative journalist...which in this day and age means she has a blog and a lot of student debt. There had been a few freelance gigs and her bills were often paid by baristary, but what she wanted — what she really really wanted — was to be a hard-hitting, truth-touting, blow-this-shit-wide-open journalist.

She just needed a story. She had the chops. She could word good. Could word well, even! And folks seemed to like her in-depth and well researched takes...but she needed...substance?

And now, after networking and investigating and work upon work? A lead! Someone had something for her. Something big. The photos were a good start and Pauline had organised this clandestine meetup, just like a seasoned professional. You never know who you’re going to meet at the beach, right? At the beach no one goes to because it smells weird. Anyone notices us and it’s just a random chance meeting, but who would see us at Stinky Beach?

Late afternoon was the agreed upon time.

And by the thin strip of day that floated on the ocean...it was very very late afternoon. And when that went, so would Pauline.

The journalist was knocked off her car by something hitting her in the side of the head.

It was the word “Hey” spoken by a calm voice from a form that had arrived without warning. Pauline stood up, brushed herself off and squinted at the woman who had scared her half to death. Long dark hair, white business blouse, waist-cinched black pants, and an expensive set of heels. Corporate. Not boardroom, but definitely big-business.

Beyond this new arrival was the silent chariot with which they had secretly secreted themself: one of those new and shiny chic electric cars. Big big-business bucks.

“I left my phone at home like you suggested.” Said The Contact.

“Your car is covered in cameras and has GPS, Dingus.” Is what Pauline thought. What she said was: “Good.”


[wc: 500]


One day I'll get one with a resolution!

6

FyeNite t1_jc3wvk9 wrote

Hey Chop!

I loved these descriptions and the sheer rich backstory you give Pauline here. You do an amazing job of bringing her to life through just a few simple facts about her life. Her dreams and aspirations, her debt, her current work and the amount of work she puts in.

I also really liked the gentle calming feeling the first portion of the story had. It really builds up quite well to that sudden intrusion of the voice. So very well done.

I do just have a few bits and bobs for you,

> The Sun had set — was swallowed whole by the ocean — and the wasted hours were getting to her.

I honestly think you don't need these em-dashes here. You're saying the same thing twice, just more dramatic the second time around. I'd say drop the "The sun had set" line and go straight for the more powerful bit.

> Pauline works as a self-employed investigative journalist

There seemed to be a tense shift here. We were in the past tense earlier and now we're in the present. Not sure if that's intentional though.

> but what she wanted — what she really really wanted — was to be a hard-hitting, truth-touting,

Similarly, as above, I think the bit in the em-dashes is just a little too similar to what comes before it. So something like "what she needed really" could be better.

> Anyone notices us and it’s just a random chance meeting, but who would see us at Stinky Beach?

Similar to the tense change. Here I think you switch person. You go from second person to first person. I'd say stick to second.

> The journalist was knocked off her car by something hitting her in the side of the head.

Finally, was just a bit thrown by this. It's an awfully physical and violent reaction to being startled. She didn't just jump off her car, she was thrown off. Just sounds a bit exaggerated.

And last but not least, I kind of have to mention it: the ending. Heck Chop, I need more! Please, it's such a perfect opening. It just needs more!

I hope this helps.

Good Words!

3

wordsonthewind t1_jcdptyq wrote

Hi Chop! This felt more like a lead-in to a longer story but it was a great lead-in! Pauline felt really vivid and real as a character, with her struggle to make a living and dream of breaking a huge story. Her impatience was woven in well throughout the entire story too.

I'd have appreciated a bit more specifics about the exact nature of the story Pauline is chasing. There's photos as evidence but I'd have liked some idea about what was in those photos, if that makes sense. Other than that, I feel like describing her informant's sudden greeting as "something hitting her in the side of the head" was a bit too misleading. I genuinely thought the contact had thrown something at Pauline to get her attention and it was kind of jarring to mentally readjust. Just my two cents.

Good words!

1

blackbird223 t1_jc0wt1q wrote

“Move!”

Shahid took wobbly steps out of the dungeon, squinting as his eyes adjusted to the brilliant desert sun. Though it was dusk, after being held in a windowless cell for twenty-eight days, he wasn't used to the light.

The guard prodded him in the back with the barrel of a rifle, pointing him toward a spot in the compound far away from any of the buildings. Dried blood stained the ground all about it.

As he shambled over, he took some grim satisfaction at the guards’ evident fear of him. The extremists that had captured him to cover up their horrific crimes clearly hadn’t expected a six-foot-four giant wielding a telephoto lens as a flail. He’d taken three out of commission before being brought down.

At last, Shahid reached the bloody spot. One of the guards smashed his shins with a baton, and another rammed the butt of a rifle into his back, driving him to his knees. They put a sack on his head, and began speaking; he recognized their words as a prayer for the dead. He offered up a silent prayer of his own.

If I am to die here, let me be a martyr for the truth. However, if life is still good for me, oh most merciful one, then let me live!

The executioner’s blade touched his neck. Shahid held his breath, waiting for the end.

Instead, he felt a thump, then heard yelling from the guards. Gunfire erupted near him, first in staccato bursts, gradually morphing into a continuous din. He then heard a distant explosion, followed by screams. As the battle raged on, Shahid laid on the bloodstained ground, still as death, trying not to attract attention, hoping against hope no stray fire would hit him. As the thunder of guns waned, he heard nearby footsteps, and felt a hand on his back.

“He’s alive!”

The shackles on his hands and feet were undone, the sack was roughly pulled off his head, and he found himself looking at a young man in a sand-brown military uniform.

“Can you walk?”

Shahid nodded.

“Excellent. Come with me!”

The other man put an arm around Shahid’s back, and jogged him over to an idling truck. Slamming the door shut, he waved as the truck drove away.

Shahid waited for his heart to stop racing, then spoke.

“Thank you for saving me.”

A seasoned-looking soldier spoke up. “Well, Mister…”

“Shahid al-Sadiqi.”

“Mr. al-Sadiqi, I can’t take credit for that.”

The vehicle slowed to a stop, and another soldier climbed in, a large rifle slung across their back. They doffed a sand-covered camouflage suit, revealing a youngish woman with skin bronzed by the desert sun.

“She’s the one you need to thank. She shot your would-be executioner.”

“I see.” Shahid raised his voice. “Miss…” he peered at the woman’s uniform, “…Keener?”

The sniper’s cold grey eyes locked onto his own. “Yes?”

“Thank you for saving my life.”

She nodded. “Just doing my job.”

******

WC: 496. Feedback welcome!

6

FyeNite t1_jc49aai wrote

Hey blackbird!

I think you did a great job of characterising Shahid here. In reality, he hasn't really done much in the first portion of the story, simply walked over to an execution spot. But the way you sprinkled his backstory in between glances and observations worked so well I think.

And I quite liked how you described the rescue too. Rashid is blind at this point, and you do a good job of making out the sounds and explosions whilst still making sure enough confusion remained for believability.

Really well done!

I do just have a few bits and bobs for you though,

> After being held indoors for twenty-eight days, he was unused to the light.

I've never seen it written like that. I've always seen it as "he wasn't used to the light." So I'll just leave this here in case it is wrong. But again, it is probably right.

One other thing, how much light was there? Some more description could help here. Was he blinded for instance?

> The battle raged on for what felt like hours, Shahid hoping all the time no stray fire would hit him. As the roar of guns waned, he heard nearby footsteps.

I wanted more from Shahid here. He's clearly experienced with taking care of himself, so what did he do here? Did he lie flat on the ground, burying his head as deep in the sand as possible to protect it? Did he try to get the shackles off or maybe the sack? Maybe he tried to simply run? Just something more would be great here.

> The sack was roughly pulled off his head, and the shackles on his hands and feet were unlocked.

And finally, I expected something about how his rescuer looked here. What were they wearing? What did their face look like? Did they have a nametag? Maybe a country's flag on their armour? Just something like that.

I hope this helps.

Good Words!

3

blackbird223 t1_jc5fafl wrote

Hey Fye! Thanks for the crit.

The rescue was definitely one of the harder parts of the story to write, so I'm glad you liked it. To me, there's only so much battle you can describe before "W shot X and Y, Z blew A up with a grenade..." becomes stale. I did tweak what Shahid did in the midst of this battle, due to a bit of an inconsistency between the story and my head. For some reason, I imagined Shahid tied to a stake, which would make it much harder for him to do anything; upon rereading the story, I realized he was actually kneeling when his executioner gets shot. Unfortunately, his hands and legs are still bound, so there's not a lot he can do.

I've also added a few more descriptions of both Shahid's rescuer and the desert sunset. Trimming out some wordy description and fixing an awkward paragraph left me with just enough to describe a desert sunset and one of Shahid's rescuers.

3

blackbird223 t1_jc5ivol wrote

Also, you might want to watch your autocorrect: I think it must have changed "Shahid" to "Rashid" once in your comment.

3

Blu_Spirit t1_jc541i2 wrote

Blackbird,

I love this story, how you describe Shahid, both in appearance and personality. Also the description of the compound (prison?) that he had been incarcerated in was fantastic.

Some small crit here - This paragraph felt a little disorganzied to me.

>As he shambled over, he took some grim satisfaction at the many other guards that fell in behind him. He had been captured by an extremist group while trying to gain evidence of the horrific crimes they had committed, but the troops sent to seize him hadn’t expected a six-foot-four giant using a telephoto lens as a flail. He’d sent three men to the infirmary.

The phrase "guards that fell in behind him" to me indicates that they are following him in a single file line. Maybe a better way to explain it would be "he took some grim satisfaction at the memory of the guards that he had taken down with him. The troops sent to seize him as he tried to gain evidence of their horrific crimes were not prepared for a six-foot-four giant using a telephoto lens as a flail. He'd sent three men to the infirmary before being subdued." Just a suggestion, take it with a grain of salt (I know word count may get in the way here, too).

I would like to see more of the sniper. Why does she get credit for saving him? Is she the squad leader, or just the best shot?

Overall, though, you painted a wonderful scene within the constraints here, and have definitely caught my interest in this story and what they do next!

3

blackbird223 t1_jc5iezf wrote

Hey Blu_Spirit, thanks for the crit!

I'm going to ask you a question. How much did I actually describe Shahid and the compound, and how much did I let the reader fill in? I don't believe I described the compound that much, and the only concrete details I gave of Shahid's appearance were his height (6'4" or 193 cm) and build ("giant").

Thanks for pointing out that paragraph, though. It contained a lot of exposition awkwardly crammed into a very small space, and your suggestion got me to come up with a much better- and even more concise- formulation.

I now explain why Keener, the sniper, is credited with saving Shahid: she shot the guy who was about to execute him. That said, she's definitely the best shot, and probably the brains of the squad- snipers have to do a surprising amount of math to line up their shot. Honestly, I wish I could have talked more about Keener, but it just didn't feel right for this story. I've had both her and Shahid in my head for way, way too long, and I'm a bit glad I finally got to put them down on (virtual) paper.

3

Blu_Spirit t1_jc8bi6x wrote

I think that your descriptions of both the compound and Shahid were perfect. Clear enough to get us started, but not overloading us. Even some of the way he walks, and the background, adds to the mental imagery of his character. As does little things like the compound having an execution spot away from the buildings, which probably have small, blacked out windows to limit light. His ability to take out three soldiers using his camera as a weapon only adds to the idea of his physique - I picture someone strong and agile.

Perhaps they can come up in some other stories, because I would love to see more of these characters.

2

Blu_Spirit t1_jc4wnc4 wrote

The Beginning of the End

-----------------------------------------------

This piece should have made my career, not ended it. That once in a lifetime story that, when it comes along, every other assignment — and competing writer — gets told to fuck off. But even knowing that it’d lead to this, I still think I would've taken the bait. Boredom can drive people to do stupid shit. And, damn, was I BORED.

I wasn’t even looking for a story. I was at the Blue Oyster Bar — my usual haunt after Caitlin left with our daughter. Said I was too invested in my work. She wasn’t wrong — I spent far more time chasing stories than I did making our own. My biggest regret.

Focus. The bar. The story. I was three sheets into the wind, munching on seasoned fries to absorb some of the booze sloshing around my belly before attempting to race the last dredges of sunlight home. At least, until this gorgeous redhead sat next to me with a smile, warming my core in a way the alcohol hadn’t. Grinning back, I offered her a drink, surprised she accepted.

Sabine accepted a second drink as well, downing it before whispering seductively in my ear. “Don’t you think it’s time to go home?” Her hot breath sending shivers down my spine and waking up parts I hadn’t paid any mind to for the better part of a year.

I immediately agreed, not considering that someone this beautiful probably had an ulterior motive. After all, it wasn’t like I still had “it”, that fabled recipe of charm and attractiveness. Not sure I ever did in the first place, if I am being honest.

Honest. Sure. Not like I have much time left. I am writing this in the foolish hope that someone — other than my captor — will find it. That my racing thoughts will cross the finish line before the blood — my blood — has been stolen from my veins.

Beautiful, sneaky Sabine. We went back to my apartment, and — well, it was a great night. For me at least. Never had the chance to ask her. Next morning, that damned manila envelope, leaning against my coffee pot. Full of the proof that the worlds’ leaders are working to keep us docile, distracted. Hiding the truth — that we are nothing more than livestock for gods that most of us don’t even believe in.

Gods. Demons. Celestials. Angels. Whatever name they use, they're monsters. Much like the legends of vampires, these…creatures feed on us. More than our blood, though, they steal our lives. Our years. I have aged decades in days. Always suspected I’d die young, never feeling the toll of time on my body. How wrong I was.

I won’t see tomorrow. But the proof, my article, can be found with the dreams of my future. He’s here. It’s the end.

If you find my story, share it. Stop them. Tell the world, don’t let my death —

---------------------------------------

WC 495

Feedback always welcome, and thank you for reading!

6

FyeNite t1_jc7ai47 wrote

Hey Blu!

Ooh, nice twist here. This kind of story often ends with the people being the real monsters. Those with power and wealth being the real things to fear and such. So it's refreshing to get a story that doesn't do that and takes a more literal meaning of the word monster.

I quite liked your opening here too. You set the backstory up really well, and tell us from the start that this won't end well. And that does wonders for the tension.

I do just have a few bits and bobs for you though,

> I spent far more time chasing stories than I did making our own. My biggest regret.

So I did just feel like there was a bit of a contradiction here. Before this, our character openly admits that they'd give into the rush of the biggest story of their lives even if they knew how badly it would end.

But then here, they openly admit that they wished they hadn't let their family go. So maybe just removing the "My biggest regret." could fix it? But up to you.

> warming my core in a way the alcohol hadn’t.

A minor change here, but "couldn't" may work better over "hadn't" here. Insinuating that she made him feel a way that the alcohol couldn't achieve. Because as it stands, one could maybe take it as 'if he'd just drink some more, he could perhaps reach that same level of warmth.' Which I don't think is what you were intending.

> Grinning back, I offered her a drink, surprised she accepted.

The commas here make it seem like this is all simultaneous. He grins at her whilst offering a drink for instance. There's no chronological order of events. But then the last bit snagged me. She'd only be able to accept the drink after he offered, right? So maybe a period followed by "I was surprised she accepted." maybe?

I may be way overthinking this, haha.

> Her hot breath sending shivers down my spine and waking up parts I hadn’t paid any mind to for the better part of a year.

Just a tense change here I think. You go from past to present a few times in this piece I think. Nothing too big though.

I hope this helps.

Good Words!

1

London-Roma-1980 t1_jc75lne wrote

Cullen Bell, the editor in chief of the Daily Apple, looked out over the beginnings of sunset. The deadline was fast approaching, and his biggest story was still up in the air. He needed to hear back from the final authors, twin brothers Edward and Jacob Long, before he could put it to bed.

"Where is that finished article?" he asked to no one in particular.

As if on cue, a knock came on his office door. Alice Carlisle, the managing reporter, burst through. "Mr. Bell, sir... we have a problem."

Someone who was a seasoned veteran of the newspaper industry such as Cullen understood that "we have a problem" was business-talk for "everything just hit the fan". He slowly turned around, then quickly recoiled. Alice's face and arms were covered in ink!

"Why, Miss Carlisle... what in the world happened to you?"

"It's the twins, sir. They were out of control."

"Did they hurt you?"

Alice hesitated. "N-no, sir, but they've set operations back in the printing room quite a bit. The two were working on a middle paragraph of the top story and got into an argument over the Oxford comma. It turned into a bit of a shoving match, and then... then a full-on fight broke out."

Cullen became nervous. "Is... everyone alright?"

"No injuries, sir, nor any damage. But as you can see, they wasted some of our printer's ink on each other and... I got in the middle of it to break it up." Alice stared at her hands, wondering when her subordinates stopped paying attention and hoping her boss wouldn't blame her.

"I'm glad you did. I assume both brothers were sent home?"

"Pending an investigation, yes," Alice replied. "And we're working double-speed to get the paper out. I don't want to fire them -- they have a way with words separately, but when on the story together, everything falls apart!"

"No, Alice, I presume a suspension will be enough." Cullen offered a box of tissues to Alice, as though that would clean up the black mess on her face thoroughly. "But I suppose this is a lesson for next time."

"I agree, boss. Never let the brothers on the same story again." Alice wiped as much of the ink off her face as she could with every tissue in the box before returning to supervise the daily edition.

Slowly, Cullen sat as his desk and made himself a note: two Longs don't make a write-up.

[WC: 411; Regrets: 0]

6

FyeNite t1_jc7h0sy wrote

Hey Duke!

Welp, you got an audible groan from me for that ending. So like, I'll give you that, haha. And you did such a great job with a good story too. The plot didn't feel forced or anything in order to get to the joke. So really well done there.

Like, the only thing I could say is perhaps build it up more? Tease it maybe? But then again, I also liked how you did it. Write this great story and end it with a hilarious pun. I'm going to call it a pun at least.

Very well done!

I do just have a few bits and bobs for you though,

> Deadline was fast approaching,

This read oddly to me. "The deadline was fast approaching," or something may work better. But not sure.

> "And we're working double-speed to get the paper out. I don't want to fire them -- they have a way with words separately, but when on the story together, everything falls apart!"

So if Alice is Cullen's assistant, does she have the power to fire people? Is that something she can do or is she simply wielding Culen's power here? And with that, who is Cullen in the company? I might have missed it, but is he the CEO? The big boss? Not too sure but this bit did give me pause.

> Cullen offered an entire box of tissues to Alice, as though that would clean up the black mess on her face thoroughly.

I don't think you need "entire" here. It's a detail that we can already assume. Also, later on, you make it a point to say that she uses most, if not all, of the tissues anyway. So you could just dodge some repetition that way.

I hope this helps.

Good Words!

1

London-Roma-1980 t1_jc882rb wrote

Glad you groaned, Fye!

Alice is the middle manager between the brothers and Cullen. I should make that more clear.

Thanks!

2

oracleofaal t1_jc98hqn wrote

Nathaniel sat down on a bench as the sun sank below the horizon on a cloudy summer’s eve. He scanned the pages of his newspaper idly. A second gentleman in a blue suit arrived, perched on the other end of the bench, and stared at the swift current of the river just beyond the footpath.

After a few minutes, the silence was broken by a question from Nathaniel.

“Eddie, you ever read the Seer section of the paper?”

Eddie looked at the paper in Nathaniel’s hands and scoffed. “Why would I bother? It’s just prophetic drivel, no more real than the horoscope section. I wouldna taken you for someone to waste their time.”

“Not usually, no.” Cocking his head he continued, “but something caught my eye today. ‘A one-eyed man stabs a man in a blue suit six times in the back.’ And here we are.” Nathaniel looked intently at the man sitting next to him.

“Is this a joke or somethin’?” Eddie chortled. “You’re not the only one-eyed man in the world, and I ain’t the only bloke in a blue suit. Besides, we’ve known each other since kindergarten. I’d bet the seer is really just the editors' mad lib puzzle for the day. I mean who’s gonna call them out if they’re wrong?” He wrung his hands for a moment before catching himself then sat back on the bench slowly, weaving his fingers behind his head.

“Nah, you’re probably right,” Nathaniel replied and folded the paper gently, setting it between them, the Seer section face up with the prophecy circled in red. “I mean, it’s not like I’ve got any reason to harm you. Like you said, we’ve been friends since kindergarten. A well-seasoned friendship, you might say. Had our ups and downs, sure, but all friends do.” He shrugged, smiled thinly, and touched the crow’s feet forming at the edge of his glass eye.

Eddie dropped his hands and turned toward Nathaniel. “Man, I thought you’d forgiven me for that? You know it was an accident. I got distracted by a pretty lady walking by and the dart went sideways. How many times do I gotta say I’m sorry? Although, I still think you got the better end of that deal since you got to marry her.”

“Yeah,” Nathaniel sighed ruefully, “I did get to do that.”

Whip fast Nathaniel pulled out a knife and stabbed it into his friend’s throat. Eddie’s eyes widened and a gurgle was the only sound he made as he scrabbled to grab the knife. Nathaniel pulled it out and Eddie toppled forward onto the grass holding his torn throat.

Nathaniel knelt over him, whispered, “Friends don’t fuck friend’s wives,” then stabbed the fornicator six times in the back. As he bled out, Nathaniel rolled him over the footpath and into the river.

He went back to the bench, picked up the newspaper, folded it around the knife, and tossed it in the river.

“The Seer got one right at least.”

______________________________________________________

WC: 499 All feedback is appreciated.

6

LivelyFox3737 t1_jc9bvzo wrote

Love this. Flowed beautifully from start to finish. I liked how the "thin smile" efficiently changed gears for the story.

I chortled something wicked at this on my second read-through:

>but something caught my eye today

I wondered if it was realistic for Eddie to mention their bonds since kindergarten when he was so oblivious to the impending trouble. Then again, considering the depth of his betrayal, perhaps his guilty conscious couldn't help it. So I'm on the fence about it, which probably isn't helpful crit at all! I'm a self-confessed crap critiquer.

Good story, good characters, and good writing!

1

oracleofaal t1_jcd4cv2 wrote

Thanks! I struggle on the 'helpful crit' front also when it comes to anything but spelling and grammar, lol. I understand what you're driving at though and can say that I was on the fence about it when writing it.

2

FyeNite t1_jcbcbf2 wrote

Hey oracle!

Wow, this was good. Like, really good. I loved just the casual nature of this, the building tension underneath. Just everything about it.

> “Yeah,” Nathaniel sighed ruefully, “I did get to do that.”

Lines like this for instance. That classic moment where you think all the tension has gone until suddenly, it all snaps. And I think you execute that switch so well.

Not to mention the mirthlessness this sentence has too.

Very very well done!

I do just have a few bits and bobs for you,

> He scanned the pages of his newspaper idly until a second gentleman in a blue suit perched on the other end of the bench and stared at the swift current of the river just beyond the footpath.

This was just a super long sentence. I'd suggest cutting it down some? Or maybe adding a period or two.

> he scrabbled to grab the knife. Nathaniel pulled the knife out

There was just a bit of repetition of "knife" here. I think you could very easily remove one.

> “The Seer got one right at least.”

And finally, did it though? The Seer predicted that the person would be stabbed in the back, right? But Eddie wasn't. He was stabbed in the throat. Or are you taking a different meaning of stabbed in the back here?

I hope this helps.

God Words!

1

oracleofaal t1_jcd5k62 wrote

Thanks Fye!

I'm sure if the edit of that sentence is better or worse but we'll find out in campfire I imagine.

Removed the knife repetition, I must have missed it in the last edit.

And Eddie was stabbed in the back six times. He just also happened to be stabbed in the throat. So the Seer was mostly right? I debated the ending the most I think and rewrote it several times.

2

Ryter99 t1_jc9it5h wrote

“Welcome to Point Squared, the news debate show where the points are pointed. I’m your host, Samantha Stellen.” She paused, flashing a too-bright grin. “Tonight’s topic, the imminent destruction of Earth by the Kordrathi warfleet… Or is it imminent?”

Samantha turned to a distinguished white haired gentleman seated at the table beside her. “We’re honored to have NASA’s Dr. Morris Exemplarre with us tonight.”

He nodded curtly.

"And once again joining us remotely, is Will Fükkus of the ‘Kordrathi Are Kewl Alliance’, a disgraced former pig farmer from—”

“It was never proven that I was sellin’ monkey meat!” Will interjected.

“Right… Mr. Fükkus, what is the K.A.K.A. view on this alleged imminent 'destruction'?”

“Ain’t happenin’! The Kordrathi are super chill, just here on vacation.”

“Well, smaller attacks already have wiped out 20% of Earth’s population, but… a fascinating take! And doctor, your team was the first to communicate with the Kordrathi two years ago. Your counterpoint?”

“As always, K.A.K.A. is bullshit,” Morris said simply, too exhausted for intonation. “The Kordrathi are not inherently violent, but humanity squandered every chance at diplomacy, and now... we’re screwed.”

Samantha was a well-seasoned host, adept at guiding wayward guests back onto the rails, but even she was taken aback. “Pardon me?”

“In our first communications, the Kordrathi offered a non-aggression pact, so we asked the public—begged them!—to remain peaceful.” Morris stared into the camera. “And what’d you morons do? You shot at the first Kordrathi diplomatic craft to enter our atmosphere. With… guns, nailguns, fireworks—”

“As was their constitutional right!” Will interjected.

“In what section of the constitution is the right to 'shoot fireworks at aliens' written?”

“Uhhhhrmmm, Exodus? Probably?”

“Great. Brilliant stuff as always.” Morris sighed. “The world chose to believe K.A.K.A., and now, we’re going to suffer the consequences.”

Samantha fidgeted nervously. “Doctor, you’ve always evoked a hopeful tone, are you saying—”

“Who cares what he says! Look, I’m goin’ out to meet the Kordrathi Party Fleet when it arrives, and everyone else should—”

“Oh, shut up, Mr. Fükkus!” Samantha yelled.

Unused to pushback, Will fell silent.

“Doctor, there may be a viewer out there willing to listen, so, understanding there are no good options at this point, what pragmatic steps could you advise?”

Morris smiled wanly. “If you've constructed a bunker, as advised, get yourself and your loved ones inside now. If you didn’t, shelter in a basement, cave, or any underground location you can. If you survive the initial bombardment and encounter Kordrathi soldiers in the weeks to come, shout ‘Kavlak’, it translates roughly to asking for forgiveness.”

Samantha nodded solemnly. “Thank you, Doctor. Now, Will—”

“Hooooooold up,” Will said, “got a knock at my door.”

Will stood, opened his door, and vaporized as rippling waves of green energy passed through his body. A little gray alien holding a raygun strode into his room and peered curiously into the camera.

“Well, then,” Samantha muttered, “I’d call this debate settled.”

6

FyeNite t1_jcaor1n wrote

Hey Ry!

Lol, I thought Will would get vaporised. Though not so soon, admittedly. Considering recent events, I really liked how Morris acted here. Pretty much just fed up and unwilling to help anymore. Humanity's dug their grave, and that was that.

And of course, the comedy. I especially liked the shooting down the spaceships bit, haha. But also, hit way too close to home. So a groan may have been mixed into that laugh.

I do have a few bits and bobs for you,

> Well, smaller attacks already have wiped out 20% Earth’s population,

A small thing here. But I think you're missing an "of" after "20%".

> Morris stared ahead blankly.

And this bit snagged me a bit. I think without the added context that there have been previous debates, I assumed that he was under some sort of mind control and that would be the twist. Maybe having him roll his eyes or something could work better?

One final thing: So is Will pro-invasive aliens or against them? Because at first, he seems to be all for them. Calling them "chill" and such. But later on, he says that they had full right to shoot at their ship. So just a bit confused is all. Though, now that I think bout it, that might be the intention, lol. Pro freedom, everything's a hoax, lol.

I hope this helps.

Good Words!

2

TenspeedGV t1_jca7hbv wrote

The red button on the recorder went click. The reporter set it on the table and slid back in his chair, licking the tip of his pen out of habit as he flipped his notebook to a new page. He crossed his legs.

“First of all I want to thank you for agreeing to this interview, Miss Kinney” he said with a smile. “It’s an honor being able to speak to you like this.”

She returned his smile, sitting forward in her chair. “It’s my pleasure, Mr. Tanner. I know you’ve been trying for a while.”

He scribbled on his notepad as she spoke, his eyes never leaving her for more than half a second. From her angle she could almost see what he was writing. It looked like some form of shorthand, all soft curves and smooth transitions.

Seeing the direction of her gaze, his smile turned lopsided for a moment and he adjusted, tilting the notebook just that much further away.

“To start us off, why don’t you tell us a little bit about yourself.”

She sighed and leaned back, boredom already beginning to set in as she began listing off various ‘interesting’ points along her life story.

Mr. Tanner cleared his throat, “I apologize for interrupting. I do love listening to you talk, but I’d like something a bit more personal. I already gathered this stuff from your social media.”

“You want more personal? Something I didn’t put on social media. Alright. There was this time…”

As she talked, the reporter kept his eyes trained on her, but still his hand never stopped moving over the page.

“…After a long day of walking along the side of the freeway outside Sioux Falls, we were picked up by the Sheriff himself. My dad wired the money for bus tickets. We were both grounded for a year,” she rested her head in her palms, peeking through her fingers at him.

He grinned. “I see. So you were a bit of a delinquent. That does contradict the perfect image you’ve got online, doesn’t it? But I bet it gets more interesting from there. Tell me more.”

She opened her mouth, her jaw working for a second. Then she flushed a soft shade of red.

“Oh my gosh, I can’t believe it. You almost made me want to tell you everything. How did you even do that?” she asked, her hands coming down on the red Record button. “You’ve been recording this whole time. What are you even writing?” She craned her neck to see what was on the paper.

This time it was his turn to flush. He turned the notebook around to show her the beginnings of a sketch of herself. All soft curves and smooth transitions. He smiled sheepishly. “This is what I do for a hobby.”

“A good reporter and a great artist? Well. You may just be able to get another date out of me yet, Mr. Tanner.”

“Thank you kindly, Miss Kinney.” He grinned.

6

FyeNite t1_jcalf5k wrote

Hey Tens!

I really liked the characterisation here. You do a really good job with the interviewer I think. I liked the constant details about the notepad too, reminding us that this is an orchestrated conversation, not exactly something that's as friendly as it seems.

> It looked like some form of shorthand, all soft curves and smooth transitions, very few angles.

And speaking of, I really loved this bit. The detail you had here shows just how experienced and prepared Mr. Tanner was. And not to mention, it just flows really well with the character perspectives too.

I do just have a few bits and bobs for you though,

> His interviewee’s nerves melted away and she returned his smile, sitting forward in her chair and wrapping her hands around the mug on her kitchen table.

So a couple of things here. We're shown that these two know each other and Mr. Tanner has been trying to get an interview with her for a while now. The thing is, this is, we get this information before we even get her name. So it kind of distances us from either character. I hope that makes sense.

And similarly, this is also the first time that we hear about where we are. A small detail about the kitchen table but I think putting that a bit earlier might be better?

> “…though perhaps I spent a bit more time on yours than usual,” he followed up quickly.

This just broke the almost predatory image your painting of Mr. Tanner. Not sure if it's intentional, but it just feels a bit abrupt to change the power dynamic like this and then revert all the way back by the end.

> Alright. At the age of 16, a friend and I decided one day to hitchhiking. We were going to see a concert. In Portland.”

I think you want "hitchhike" here.

Also, just a few too many very small sentences. Commas might help in some places.

> “Oh my gosh, I can’t believe I told you. You made me want to tell you everything. How did you even do that?”

Hmm, you mentioned you're still working on an ending. But this still felt a tad abrupt. Like he's convincing, sure, but here she makes it sound like it's magic.

I hope this helps.

Good Words!

2

[deleted] t1_jccwj1x wrote

[removed]

1

TenspeedGV t1_jcdc5w0 wrote

If you have a problem with how a moderator has conducted themselves on this subreddit, please send a modmail. This allows us to keep track of the conversation and allows all moderators to easily participate as needed.

This sort of message is not appropriate as a random comment on an unrelated thread.

Thank you

1

OldBayJ t1_jcah5ol wrote

They say the phone will only ring once, on the night of the full moon, just as twilight emerges. And only if you’re alone.

Silence blankets the rocky hills as I approach the phone booth. Eyes watch me from the distance. Their glare pierces through the layers of fabric, disapproval chilling me to the bone.

Pulling the creaky door open, I step into the booth, hoping desperately for this to be legit. I need it to be.

My boss laughed when I submitted the column proposal earlier this week. “Seasoned investigators don’t chase ghost stories. They don’t publish garbage.”

But I know there is truth in this story, and a connection to the two missing persons cases. I just have to prove it.

I connect my recorder to the phone just as it rings. “Hello?”

Static crackles on the other end of the line. My fingers twist the pendant resting against my chest. “Someone there?”

Several voices come forward, unintelligible over the choppy connection. I take a deep breath. “J-Jack?” I want him to be there. Desperately.

A gentle voice forces its way to the front. “Button?”

I fall to my knees in the presence of that name, gripping the receiver tight. My heart thumps as I try to form words. But I’m speechless. Overwhelmed. Afraid.

“You… can’t… be here,” he says. The static fades in and out.

“How’s this p-possible?” My fingers twist the necklace too hard and the chain breaks in my hand.

A deep growl pierces through the chattering voices, silencing them. “Go,” Jack’s voice snaps.

“No, please. How is this working?”

“It’s not safe, he’ll make…pay.” Static floods the line.

“Who? What about the others who came—”

“...too late for them,” he interrupts. “He’s coming. I love you.”

A high-pitched scream cuts through the line and it goes dead.

The windows of the phone booth rattle. A screech pulls my attention to the door.

Blood-red eyes stare into me, claws rip the door from the hinges. I search for something to grab onto, anything, but find nothing.

The creature steps forward, its flesh black and oily in the moonlight. “You must pay the toll.”

“For what?” I ask.

Saliva drips from its mouth. “You crossed the threshold of the living and dead. The price must be paid.”

“I didn’t even see him. Or have a real conversation. I won’t pay.”

The creature growls. Flames ignite from its hands. My insides shrivel up like dead worms on the sidewalk, just as everything goes black.


Jack’s deep brown eyes greet me as I awake.

“You’re here…” I sit up.

“Oh honey, what’ve you done?”

The world around me is now grey, cold, and lifeless. But despite everything, I can’t help feeling like this is where I belong.

Jack wraps his arms around me, then leans his head against mine. Just as he used to.

“I’ve missed this so much.”

“Me too, Button. Me too.”

The faint ringing of the phone echoes in the distance. Another story waiting to be told.


  • Thanks for reading! Feedback always welcome.
  • r/ItsMeBay (I'll get to updating it one of these days)
6

FyeNite t1_jcbl2ps wrote

Hey Bay!

Oh wow, and you're back with another spooky tale. And one with a bittersweet ending too! I loved so many lines in this, the descriptions are definitely where it shines, I think.

> Their glare pierces through the layers of fabric, disapproval chilling me to the bone.

Like this for instance. Really sets up the ending twist and what you have coming.

> My insides shrivel up like dead worms on the sidewalk,

And I've mentioned this one before, but this one stood out the most to me. Really wonderful job there.

As for the ending, I have to say I quite liked the way you took it. The monster definitely felt a bit abrupt, unexplained. And I imagine that was intentional as well as because of wordcount. So this twist, making the story about this character and Jack was a great way of resolving the piece.

Very very well done!

I do just have a few bits and bobs for you,

Just noticing these now. It's not much, minor edits really.

> “It’s not safe, he’ll make…pay.”

I think you could do away with "pay" here. I know you have the theme of a 'price' for being able to talk to the dead. But with this, it makes me wonder how Jack knows about it. Makes sense that he'd know about the monster, but would he know specifics? Just a thought though.

> “Who? What about the others who came—”

Not a critique, just a question. Who is she talking about here? Previous investigators?

> Flames ignite from its hands.

Something like "Flames dance in his hands." may be better here. But that's also a commonly used personification. So go with either.

I hope this helps.

Good Words!

1

galdu t1_jcc2uam wrote

Thanks for sharing this spooky tale!

I really liked this stuff:

  • Using the necklace to help us understand the characters. As well as using it to heighten the intensity of the scene.
  • The way you described what Button was hearing on the phone. In a small amount of words you were able to give a distinctive sound to it.
  • The way the monster was described. Both ambiguous and specific, allowing the reader to imagine whatever springs to mind.

Thing(s) that didn't connect with me:

  • The framing backstory is a little confusing. Is Button looking for two missing people or are they looking for Jack? Same thing?
  • The recollection of what the boss said interrupted a part of scene that I wanted to be more engrossed in.
1

AstroRide t1_jbm9jva wrote

##Experimental Medicine

Mary sat on the park bench as the sun set behind her, eating a bag of seasoned oyster crackers. A figure wearing a long trench coat and a fedora sat next to her. The figure looked away.

"Did you come alone?" They had a deep raspy voice. Mary nodded her head. "Good. Did you see the story on Dr. Tyler in the City Times?"

"I wrote it."

"You need to issue a correction. Dr. Tyler doesn't just run a clinic for low-income people. He's a sick twisted man who runs experiments on the most desperate."

"How come I've never heard of it?" Mary asked.

"Because we're too ashamed to show ourselves." The figure lifted their head. The face was a woman's with multiple patches of skin sewn to it. Her left eyelid was held shut by a metal rod. Her neck was covered in slash marks. "My whole body is like this."

"Oh my god."


One week later, Mary hid in the bushes by Dr. Tyler's office. He locked the office door behind him as he left none the wiser. She persuaded the building supervisor to give her a master key in exchange for favorable reviews of his other properties. After waiting several minutes, she entered his clinic.

She tried to find a room that she hadn't seen on her previous visit where he tortured people. The first door she checked was a janitor's closet. When she opened it, she discovered a mop and cleaning supplies. The backwall was cracked and pushing it revealed a staircase.

At the bottom of the staircase was a laboratory with a table in the middle of the room. She turned on the light and screamed at the sight of his handiwork. A human body was on the table with its torso cut open. She moved closer to inspect it, and she found it completely hollow. Looking around the room, she saw jaws with internal organs inside of them. In the corner of the room, bones hung on a rack with liquid draining off of them. The scene was too much for her, and she vomited on the floor.

After taking several photos of the gruesome scene, she left in a hurry. In the alley, she collided with Dr. Tyler. He laughed as he helped her up.

"Sorry about that." He tilted his head at her. "Mary, what are you doing here?"

"Monster." She slapped him in the face and ran. Dr. Tyler looked at where she came from and realized she knew his secret. He chased her for several seconds but quickly gave up.

The next morning, Dr. Tyler's sadistic activities were on the front page of the City Times. The police went to his clinic to arrest him, but he disappeared. He left the unfortunate results of his experiments.


r/AstroRideWrites

5

FyeNite t1_jc425pt wrote

Hey Astro!

Ooh, you did a great job of painting a truly disturbing scene in that basement. and teasing it too with the woman's face. I really liked how you showed Dr. Tyler to be such a normal and friendly person too! All the way up to when he realised what she knew.

I do just have a few bits and bobs for you though,

> Mary sat on the park bench as the sun set behind her eating a bag of seasoned oyster crackers.

I think just a comma after "behind her" could help here.

> Their neck was covered in slash marks.

We know it's a woman now, so being a bit more specific with the pronouns would help make this character a little more personal to the reader. So the injuries impact us more.

> One week later, Dr. Tyler locked the office door behind him as he left none the wiser. Mary hid in the bushes nearby.

I think just some reordering could help here. Establish that Mary is hiding before you mention that Dr. Tyler is locking up. That way, the "none the wiser" makes sense as we know what he isn't wise to.

> At the bottom of staircase was a laboratory with a table in the middle of the room.

Just missing a "the" before "staircase" here.

> He left the unfortunate results of his experiments.

I just wanted to see this final line connect a bit more with the lines before. So a connective could help maybe. Or "he disappeared, leaving the unfortunate results of his experiments."

One final thing, why didn't the woman go to the police? Why go to a reporter? Did the Doctor threaten her or pay her off? Was something else going on? Why would he leave her alive after he experimented on her? It's clear that he's killed before. Just a bit more detail could help here I think.

I hope this helps.

Good Words!

2

AstroRide t1_jc85ynt wrote

Thank you for the critique. I've made the changes to improve the phrasing and flow of the piece. Glad you enjoyed it.

3

gaborrero t1_jbo1wet wrote

Assumptions | (201 words)

Katherine sat hunched over her laptop, the world of pastries and coffee around her no more than a delicious afterthought. Her fingers glided easily across the ergonomic surface of her keyboard that her eyes never even focused on once. She had been doing this for years, and yet, this post she was writing...

... was interrupted by the local barista placing her latte down next to her. "Miss, your drink."

She didn't spare him so much as a glance, even as he continued to stand there, waiting for who-knew-what. When she realized he wasn't budging, her typing slowed to a halt and she dragged her gaze up to his goatee'd face. "... what?"

"You're here every day. I was just wondering-" Katherine picked up her cup and took a sip of her latte. She set it down with a loud *CLINK* and went back to typing, not sparing him another glance. "... wow," he muttered under his breath. He turned on his heels and walked away.

In another time or place, Katherine might have cared about how rude she appeared. But this bombshell wasn't going to write itself, and her twenty followers relied on her to give them an unbiased perspective on cutting-edge news!

5

FyeNite t1_jc445xp wrote

Hey gaborrero!

Wow, you managed to tell so much story in so few words. I really like how you focused on Katherine here, and all in one location too. I like how you used her interaction with another person to show what kind of person she was. And to even then explain that away. So much characterisation going on here.

I think you also did a great job of setting the mood of this story. Relaxed and uncaring. We focus pretty heavily on Katherine, and I like how the barista isn't even given a chance to properly explain himself.

Very well done!

I do just have a few bits and bobs for you,

> Her fingers glided easily across the ergonomic surface of her keyboard that her eyes never even focused on once.

The second bit of this sentence is worded a bit oddly. I'm not too sure how you can fix it per see, but maybe removing it could work? Or maybe saying that her eyes were glued to the screen could help?

> She didn't spare him so much as a glance, even as he continued to stand there, waiting for who-knew-what.

A small tense thing here but I believe you want "who-knows-what" here.

> Katherine picked up her cup and took a sip of her latte. She set it down with a loud CLINK and went back to typing, not sparing him another glance.

With a story so short I felt like this line was a bit too wordy for what's actually happening. She just takes a sip and continues to ignore him. So I think just saying that in fewer words could help.

One final thing, what is she reporting on? What is this bombshell that's got her so worked up? I liked the twist that you had with the twenty followers but I think more could help. Pick something dumb like a vegetable conspiracy and really finish off that twist.

I hope this helps.

Good Words!

3

katpoker666 t1_jccd5e1 wrote

Hey Gaborrero—this was fun!

The title seemed a little off to me. I think you were referring to the idea we were thinking she was a big reporter? If so, I might have brought her status out a tiny bit more at the beginning. I wasn’t sure she was a journalist except for the theme, as everyone pretty much posts and has done for a while.

This ending line was great—perfect payoff: >>But this bombshell wasn't going to write itself, and her twenty followers relied on her to give them an unbiased perspective on cutting-edge news!

While I’m curious about what the bombshell was, I think it works without telling us. So disagree with Fye a little there, despite all of his other great points

But overall, really cool take :)

3

galdu t1_jc3eehd wrote

Initial Public Offering

It was night on the street when Sam arrived. Allen let her in through a side entrance and took her up in the freight elevator. In the conference room she caught the sunset — the last slice of light in Manhattan — before Allen’s sharks went to work. “Sign here,” they would say, “And here.” They kept coming for more and more: arbitration, nondisclosure, even something called her 'life rights.'

But as each suit got their fill, they departed. In the early morning, only Allen remained.

​

"What’s this part?” asked Sam.

“Business agreement. For all intensive purposes, Bradley Media Group gets ninety percent of everything. Want to be a household name? That's the price.”

Sam weighed the pen in her hand. It was heavy, real gold heavy. She noticed its avian shape.

“It’s a goose,” said Allen, smiling. His teeth were too white.

“Is…” The pen flapped in Sam’s fingers. “Is ninety fair?”

“Ninety percent is standard. There's a lot of risk for us. And of course we’ll be working to keep you relevant,” he paused, “Irregardless, if you feel like you need an attorney—“

“You’re…not my attorney?”

“I’m with BMG. Again, if—“ He stopped as Sam signed and smacked the pen on the table.

“Okay!” He cheered. “Let’s see, you’ve signed…” He scanned the table. “So that just leaves… Here.” He slid a stack in front of Sam and picked up the business agreement. "Last one’s the waiver of liability—means you can’t sue us for emotional distress, physical harm, whatever.”

Sam leafed through it. It was scarier than the others, with bold text all over reading: The Event.

“What’s this about the ‘Event’?” she said. “I’ll be so embarrassed that I’ll - what - die?”

“Sam…” Allen sat down. “We picked you. We believe in you. But the Event - whatever it is - has to put you in the news for a week, and not just our news. It’s going to tarnish you—put you in a hole.” He placed his fingers on Sam’s hand. “We’ll pull you out, make you a star. But you can’t wash it off. Everyone will always feel like they’re above you, even while they worship at your Instagram feed. It’s gonna hurt."

Sam shook off his hand. She looked past him, out over the Hudson. New Jersey was still dark but the heavens were turning blue. She thought of all the faces she wished she’d never seen.

“My whole life has hurt,” she said, meeting Allen’s eyes.

Sam breathed. “Okay.” She poised herself to wring the goose’s neck across the dotted line.

She stopped.

“Fifty-fifty.”

“Excuse me?”

“I want half: fifty percent”

Allen shot up. “You signed that part already!” He said, shaking the proof at her.

“Tear it up. I want half.” Sam twirled the pen at Allen. “Golden eggs, right?"

Allen grinned. “Sun’s almost up. Leave the way you came in.” He held up the business agreement and - ffft - tore it in two. “Come back tonight and we’ll negotiate.”

​

WC: 500

5

FyeNite t1_jc4bn9h wrote

Hey galdu!

Well heck! Now I want to know what happens next. Does she cave? Does she get her way? And whether that happens or not, what is this 'Event'?

As you can see, you did a wonderful job hooking me into the story here. Building up this character as she signs away what seems to be her life. And I like how we don't get much backstory here either. All we get is the implication that she's an up-and-coming star. That she'll be something big very soon.

I think you also did a good job with Allen. He's smooth and friendly. He's still working for a company that wants to take advantage of her, but he's still very amicable about it. I hope that makes sense.

I do have a few bits and bobs for you though,

> But as each suit got their fill, they departed. In the early morning, only Allen remained.

This bit read a bit awkwardly to me. Maybe switching "But" with "After" could help? Not sure.

> For all intensive purposes, Bradley Media Group gets ninety percent of everything.

So I've always heard the phrase as '"For all intents and purposes.' Not how you have it here. Is this a mistake or a deliberate change?

> Sam breathed. “Okay.” She poised herself to wring the goose’s neck across the dotted line.

So I'm not sure why she refused to sign. She signed the ninety percent form already, so why stop here? Just didn't make too much sense to me. Did she see something? Maybe changing it up a a bit could help?

I hope this helps.

Good Words!

1

galdu t1_jc4n7q8 wrote

Thanks for the feedback Fye!

Interesting to see that Allen came off as he did to you. I deleted a sentence of his from the paragraph where he talks about the event. Originally, he said "Sex tapes just don't cut it any more." But it didn't sit right that he would say that while he reached out and touched her hand. Seemed just overtly predatory.

And "intensive purposes" was deliberate. I threw in "irregardless" as well. But I think that's less egregious so it may not have been enough of a tell.

I think if I started from scratch I'd describe the contract side of it a bit differently. But all of these parts she's going through make up one contract. So she held out on the final piece after deciding she wanted more money. (Allen is a bad attorney for formatting the contract like this)

Thanks again. Always look forward to your comments.

3

ZachTheLitchKing t1_jboshqw wrote

"Okay Bea, you can do this," she said, trying to psyche herself up for the absolute worst part of her job. A journalist sometimes required doing things that were unseemly, disgusting, or even illegal, which was why they hired out work to freelancers like Bea. She wondered how much legwork they actually did before they made enough to hire out the dirty work.

Bea opened the dumpster and quickly stepped back, not believing the smell could be that bad. She had not been dumpster diving before today and the offer had been pretty damn generous on paper; five hundred dollars was hard to turn down. But after this she knew she was going to update her Fiverr profile to exclude this specific activity.

The first part of the job was just to hang out near the hotel where some guy was staying at. Bea did not know his name but the email had come with a picture of his face and that was all Bea needed. The second part was to make sure the guy was actually staying at the hotel and Bea had taken inspiration from one of her favorite spy novels about how to do that; she'd printed out the picture and went up to the front desk of the hotel, asking about a room and showed the picture, saying she had a restraining order against him and wanted to know if he was here before booking. The young man behind the counter said something about privacy concerns but also said that she might be more comfortable seeking other accommodations with a sincere nod. Bea took that as confirmation.

The third and final task was to wait for trash to come out of the hotel and look through it for anything that might incriminate him. The sun was hidden behind the horizon at this point as she looked inside the dumpster, holding her breath against the stench, and winced at the idea of climbing into it. There was so much garbage, and she had no way of knowing which of it was his.

Bea donned a pair of gloves and a long sleeved T-shirt, which she tucked into the gloves and into her jeans. The less she touched anything the better. After climbing in, she began to rummage round and decided that she was definitely going to exclude dumpster diving from all future gigs. She was already well seasoned in filth so she was going to finish this one but never again.

After almost an hour, and after scattering garbage all over the alley, Bea left and tried not to gag at the stench clinging to her clothes. She would need to burn all of it and take a bath in battery acid or something. While walking away she texted the client and let them know that she could find nothing; the guy was clean.

At least one of us is. she thought wryly.

---------------
WC: 486
r/TomesOfTheLitchKing
Edited for crit feedback

Revised Version

4

FyeNite t1_jc4gam2 wrote

Hey Zach!

Ooh, an interesting story here. I liked the personality you gave Bea here. The derision and annoyance she felt whilst doing all of this. She hasn't given up or anything, just feels like she needs to wade through this garbage before she can get out and do some proper work.

Also, something else I noticed. You use the name Bea a lot in your stories. Are these all interconnected by any chance? All the same character going through different bits of life? Or do you just really like the name, Bea, lol?

Just curious.

I do have a few bits and bobs for you though,

> Bea opened the dumpster and quickly stepped back, not believing the smell could get much worse but it found a way.

This bit read a bit awkwardly to me. You didn't describe the smell before this, so it seemed like you mentioned it was bad, and then in the same sentence it got worse? Not too sure.

> The offer that the client had made had been pretty damn generous on paper; five hundred dollars was hard to turn down.

So this felt like a bit of a contradiction. Before this, she swears off doing these kinds of jobs again, but then she thinks about how much money there is with no connecting thought. I hope that makes sense.

> Bea had no idea his name

"Bea didn't know his name" might read better. But you could probably come up with something better.

I hope this helps.

Good Words!

2

ZachTheLitchKing t1_jc4vphx wrote

Hi Fye!

Thanks for all the valuable feedback :D Your points all made sense and pointed out some areas I thought I'd tweaked but apparent hadn't xD This was fairly long and I needed to do a lot of cutting down >< Always nice to have another set of eyes look it over though and I touched things up where you noted.

As for Bea, I use her a lot because she is a character I've used for years at this point. She's sort of transcended the details of her original story and is now a reliable and fun personality that I enjoy writing with. Broadly speaking, I would say that any given instance of Bea could be imagined as a snippet of life with any other instance, but I don't really stress too much about continuity there. She also appears in very different genres and time periods now and then :)

I'm glad you liked the short and I'm glad you're liking Bea :D

2

Blu_Spirit t1_jc51nx0 wrote

Zach,

Glad to see a bit more of Bea here, getting her hands dirty! I love how we see her willingness to do some dirty work, especially for what she deems as a pretty decent payment.

Only a tiny, tiny crit here.

>Bea opened the dumpster and quickly stepped back, not believing the smell could get much worse but it found a way. Bea had not been dumpster diving before today and after this she knew she was going to update her Fiverr profile to exclude this specific activity.

Instead of repeating dumpster twice, maybe describe the black heavy lid, then the smell, then the dumpster diving. Just to break up how often the word dumpster is used. Also, the mention of what the client paid felt like an afterthought. Maybe have it more towards the beginning as a reason Bea agreed to dumpster dive for this job.

I absolutely adore her internal pun at the end of this story, as well.

2

ZachTheLitchKing t1_jc6h8tj wrote

Hi Blu!

Excellent suggestion; I flipped that structure around like you recommended :) I'm definitely going to start re-reading after significant edits/cuts (that word limit is a cruel mistress xD) It reads much better now IMO.

I'm so glad that you're enjoying Bea showing up ^u^ Expect tons more of her :P

2

Blu_Spirit t1_jc892cl wrote

Glad I was able to help! Keep up the good work.

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stranger_loves t1_jbranpv wrote

30 minutes have stretched into a week in my brain as I sit, immobile, across the old interviewer in the blazer. He keeps looking at me with skeptic eyes, of constant disbelief of what he’s seeing across him. I know his image of me. Void black, messy hair is most likely code for “secretly commits murder”. The Birthday Party shirt I’m wearing means I’m a cultist who sold her soul to Lucifer through my first rock vinyl. And oh, those fishnets? Those mean my veins are seasoned with drugs and booze.

“Can you show me the tattoo on your arm?”

I’m woken up from my trance for a second, just to move my body aside a bit. In my arm, Musidora as Irma Vep is immortalized, her arms stretched to the air.

“What does she mean to you?”

“...She’s just beautiful. Have you seen Les Vampires?”

He shakes his head silently.

“Have you ever considered the violent iconography of the musicians you follow?”

He starts flipping a clipboard full of examples - half of which are metal bands I’ve never heard of. What the hell does Judas Priest even have to do with this, I ask myself? I hear him spew “witchcraft” and “vulgarity” and “suicide” as he flips through album covers. I crack a smile to the cover of Siouxsie’s Juju album, which gets him saying:

“Do you sympathize with all of this?”

I stare at him for a few seconds before he turns his head away. I doubt what I meant is clear.

Gosh, dude. What a joke.

“That brings me to my next point, actually. Could you try to actually answer a bit more this time?”

“I guess…”

“Okay then… Do you believe that, uh… Since becoming a part of this subculture, your psychological state has been affected?”

“Oh, definitely.”

He stares attentively this time, and motions to ask for more words.

“Yeah, I believe I've been. Because now, I get bullied every time someone in my class catches me outside of school, and my parents keep yelling at me that I should dress proper and cover my skin and whatnot, and old ladies keep stopping in the street and talking some stuff about the end times and everything and… Well, guess it does affect me cause now everyone wants me dead, including myself, but that’s not my fault, is it?”

“But you do admit-”

I stand up angrily. “Ugh, goddamnit. How does this even help your article, dude? Just say I eat babies and spray me with holy water, will you? I’m done with this crap.”

I hear the interviewer call my name as I go to my room, as well as Mom rushing to the living room as I close the door. I can hear her saying “I'm sorry about her”. Hell, I can imagine the man’s article’s words. Something, something, devil worship, goths are crazy, kill ‘em all. I bury my head in my pillow as I realize this changes nothing.

Gosh… What a joke.

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FyeNite t1_jc46c33 wrote

Howdy stranger!

Woo! A rare and much-loved stranger story! Yay! I really liked the anger and frustration you had this character show in this piece. And I like how that evolved too. From plain boredom and disinterest to anger and resentment as the interviewer asks for more words. I think you did a great job of basically keeping this conversation going despite it being almost completely one-sided.

But also, poor girl. Soon, very soon, she'll find people with common interests and be more accepted.

I do have a few bits and bobs for you though,

> 30 minutes have stretched into a week in my brain as I sit, immobile, across the old interviewer in the blazer.

First, I believe you want "Thirty" here. Spelt out rather than as a number. I believe if the number is less than 100, then you spell it out.

Second, I think you're just missing a "from" after "across".

> He stares attentively this time, and motions to ask for more words.

I think you could simplify "to ask for more words." to something like "to continue.". Just saves a few words.

> Because now, I get bullied every time someone in my class catches me outside of school, and my parents keep yelling at me that I should dress proper and cover my skin and whatnot, and old ladies keep stopping in the street and talking some stuff about the end times and everything and…

This sentence felt a tad long. I really think a few periods in place of some commas could really help split it up and make it easier to read.

One final thing, whilst reading this, I wanted to know who this guy was. And what this interview was about. The starting questions made me think of therapy or a psychological evaluation of some sort. And then I thought maybe it was a meeting with the school's principal. Either way, signifying that it's a journalist earlier could really help I think.

I hope this helps.

Good Words!

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sevenseassaurus t1_jc98tki wrote

The last sliver of sun disappeared behind the dome of the Imperial Auction House, and blue streetlights flicked on, their clockwork duty unbothered by the tension in the air. The woman across from me, a young blonde with cotton-candy blue lipstick and the eyes of a wolf, slipped something from her purse: a glint in the newfound light. My shoulders clenched, sweat pricking at the back of my neck.

It was only a compact.

I was sitting in the center of the safest city on Earth, a mere stone's throw from house of the ‘esteemed’ Emperor himself, scared senseless at the sight of a powder puff.

Vaughn set aside his pen, then read over his words. Not too shabby, but there was something missing. Did he need to say outright that this was the night of the License Auction? Perhaps not--any reader worth writing for could surmise that much. Maybe a bit more flourish for the wolf-eyed dame across the way?

The woman, unaware that she was being written about, tossed her compact back into her purse.

A plump man in a yellow raincoat huffed through the courtyard, plopping himself on the bench beside Vaughn. When his breath had caught up with him, he glanced around at the few hundred or so people waiting beneath the streetlights and smiled.

"So," he said, nudging Vaughn with an elbow. "What're you here for?"

This guy had to be joking. That or it was his first time. The License Auction may well be the largest gathering of the criminal underworld outside a gene-mod fighting ring. A seasoned bidder knew to keep his mouth shut.

"I'm looking to get a 'sale of illegal foodstuffs' license," the plump man continued, unaware. "I gotta nice bakery, and I wanna sell egg custard."

The wolf-eyed woman snorted, and Vaughn jotted down a note about a bakery.

"Egg custard?" he said. "You can bid on a license for any crime in the world and you want to sell egg custard?"

The plump man put his hands on his hips. "Well if they'd just make eggs legal again I wouldn't hafta."

Now a few of the shady guys crowded nearby began chuckling too, their breath curling like smoke in the cool, blue light.

"Well what about you then, eh?" the plump man asked. "You're not all here for the murder license, are ya?"

The question hung like a crook from a noose. The doors of the auction house opened, and people began filing in.

"Nope," the wolf-eyed woman said, standing up. "I'm after a license to own any exotic pet I want." She glanced at Vaughn. "And you, notebook guy?"

For the first time this evening, the tension fell from Vaughn's shoulders, and he laughed.

"I'm bidding on a libel license."

The plump man stood and offered a handshake to each of them. "Guess we're all innocents then, eh?"

Vaughn wrote the phrase "all innocents" in his notebook, then closed it. "Guess we are."

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FyeNite t1_jcarpnt wrote

Hey seven!

Ooh, good ol' switcheroo on the world. Give us something cool and then reveal that it's just a story someone is writing. But then you took it one step further and called it true.

I liked the concept here especially. And the absurdity of what some of your characters are bidding on. Pretty hilarious. And I think you did a great job of bringing each of these characters to life too!

Now, I assume there's something more going on here, but just not sure exactly what, so I'll leave that there.

I do just have a few bits and bobs for you,

> a mere stone's throw from house of the ‘esteemed’ Emperor himself,

Just missing a "the" before "house" here.

> A plump man in a yellow raincoat huffed through the courtyard, plopping himself on the bench beside Vaughn.

So I'd say bring up the setting a little earlier maybe? Or at least imply that he's outside a little earlier. That's pretty much it though.

> The wolf-eyed woman snorted, and Vaughn jotted down a note about a bakery.

And here, I wasn't aware she was close enough to hear the conversation. I assumed she was off in the distance, and Vaughn was just watching and writing about her.

I hope this helps.

Good Words!

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Restser t1_jc589nl wrote

Rules? What Rules?

It was a Thursday evening in March. I was driving west across the Courtney Campbell Causeway and the sun had just dipped into the Gulf of Mexico. Sweat was in my eyes and I wanted to get back to my hotel, down a Bud and change. That's when I got the call.

"Ted, it's Gail. Where are you just now?" Oh dear, my editor. Gail had been a seasoned reporter in her day, with a Pulitzer nose and no sense of humour. A real stickler for responsible journalism. Hah!

"Nearly back at the Marriott. Why?" Straight away I thought something was up. That cold beer was calling me. How I wanted the first gulp, numbing my throat and stinging my sinuses. I wiped my lips with the back of my hand and thought of just hanging up. Not worth the aggro.

"Are you serious about this Clearwater thing? Your copy reads well, but you've taken a ... let's call it a controversial angle. Are your sources reliable."

"Can I call you back in twenty? I'm parched and drenched with sweat."

"No. We go to print in half an hour and I'm not running something that'll invite a lawsuit unless I know it's legit."

I pulled into the car park and left the engine running. The aircon was fighting a losing battle but better than standing out there. Even through the window I could hear the cacophony; bugs waiting in ambush. I called her back.

"Yes, all off-the-record, two from local council members, three from the Chamber of Commerce and a doozy from the mayor's office in Tampa. That's about as good as it gets."

"Did you ask who might speak up, Ted."

"Of course I did. It was a list of the usual suspects. That's why no one would give their name."

"I don't know, Ted. I always like to have someone who doesn't mind the heat, you know, standing out front of the camera."

Heat was right, though that's not what she meant. Two days of these stifling temperatures and I'm almost on my knees. And who wants to be on the record backing the Playboy brigade?

"Good luck with that, Gail."

"We've got a substantial readership that might agree with the Council. You're making it a political issue, not a moral one. City Hall Wages War on the Free Market."

"I think attractive girls selling watermelon by the roadside is a worthy cause, even if their bikinis are smaller than my face mask."

"Think that might be personal bias, Ted? I'm not sure it's a story for the business pages."

"Are you kidding. All those red-blooded commercial lechers and that picture I sent. She's almost naked and look at those watermelons she's holding."

"Alright Ted. Your head if it backfires."

That beer was so good. Oh! And my story went viral as protesters took to the streets. My readership went crazy and Gail let me take a more liberal stance. I still recall that sunset.

[WC:499]

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FyeNite t1_jc6z7i9 wrote

Hey Rest!

I really like the air of confidence you had going here. At first, we don't actually know what the article/story is about. And I quite liked that. I liked that Ted was more interested in getting a beer and relaxing over something as important as the article that was set to publish.

Because once we do learn what the article is about, that air of confidence only sticks around and it allows us to see Ted in a new light.

I also really liked how you described Ted's surroundings here. The heat, the insects and of course, how Ted is feeling during all of this. Really builds up his character.

I do have a few bits and bobs for you though,

> The aircon was fighting a losing battle but better than standing out there.

I think this bit could be reworded a bit. "...fighting a losing battle but it was better than nothing." maybe?

> Even through the window I could hear the cacophony; bugs waiting in ambush. I called her back.

Here, does he disconnect the call? was under the impression that the call was still going the entire time. Or was this a transfer from the car's calling feature to his phone? If so, maybe specifying that could help.

> I think attractive girls selling watermelon by the roadside is a worthy cause,

A small thing here. "watermelons" (plural) may be what you're looking for.

One final thing: The ending. It just felt a bit vague to me. I liked the mention of the beer again, reinforcing that confidence and disinterest one final time. But the bit about the report gets me. What does "Gail let me take a more liberal stance" mean here? What did she let him do? Was he promoted? Did she let him do as he saw best without much questioning? Just bits like that.

I hope this helps.

Good Words!

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Restser t1_jc9b06f wrote

Hey, Fye. Thanks for the crit. Where do you get the energy and time for so much feedback? You are spot on as usual, with one exception: They sell slices of watermelon, not whole melons. I now see that the ending is a dud. More work needed. Cheers.

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wordsonthewind t1_jc97f6x wrote

Tigo was much younger in person. All the photos on his official website showed a man with haunted eyes and gray at his temples. In his performances he moved like there was a weight on his soul, forcing everything he had no words for into the show. But now, in the hotel restaurant we'd agreed on for the dinner interview, all of that seemed to melt away. He lounged in his seat, looking every bit like the mid-thirties man he was.

I was just glad he was here at all. For a seasoned performance artist, Tigo was notoriously reclusive. He bared his soul to the world in his work, but outside of it he was famously cynical and abrasive, thumbing his nose at the establishment in whatever form it took. I didn't trust my magazine's indie darling status to exempt me from that label.

Our drinks arrived, and I decided to start with some simple pleasantries. "You landed in Mondeclay a week ago. How are you finding the city so far?"

He sighed. "Finally, something open-ended. Do you know how many people said 'good morning' to me today?" He didn't wait for an answer. "Six, and all before I'd even finished my breakfast."

"If you have any complaints about the service here, you should take them up with the management," I said.

He sipped from his glass. "It's not about the service. It's about the scripts people refuse to admit that they read from."

"Is that all you want to cover in this interview?" I asked. "Nothing about your process, your hobbies, your latest installation at the Blackstone Gallery?"

I'd seen the previews, of course. His publicist had put together a press kit. The video gave away just enough to look mysterious: a shot of an unmade bed, a brief close-up of Tigo's face as a lone tear rolled down his cheek.

I'd been looking forward to the full piece. But now I was rapidly losing interest in anything he had to say.

He snorted, already getting up to leave. "Do I want to reduce myself to a grayscale outline, flatten out the work I bled and wept for, just to appeal to an empty-hearted public? No."

For a moment I was too indignant for words. He'd agreed to the interview. He'd suggested this place. And now he was going to walk away and make this a waste of my time.

I had to salvage something from this mess. I readied my camera.

"Don't you want to see what performance you can make out of this?" I called to him.

He turned at the sound of my camera snapping, just in time for me to capture the expression on his face: curious, unguarded.

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FyeNite t1_jcbie3z wrote

Hey words!

I always enjoy the obscure stories you come up with for this feature, words. Like, I can think of a hundred ways of taking this prompt, and of course, the one you go for is super thoughtful and subtle. Where the twist is something easily missed.

I also quite liked the contrast between the two different Tigos here. I liked the two sides we got.

Very well done!

I do just have a few bits and bobs for you,

> "If you have any complaints about the service here, you should take them up with the management," I said.

A small thing, but I really don't think you need the dialogue tag at the end. It's a conversation between two people, so you can do without it. And I think it'll help the flow of the line too!

> I'd been looking forward to the full piece. But now I was rapidly losing interest in anything he had to say.

This just came on a bit too quickly. Like he just sat down and bam, it's already over. Maybe a few more dialogue lines in between could help?

> He turned at the sound of my camera snapping,

Finally, if he turned at this sound, then wouldn't the photo be of his back? Or does he just turn supernaturally quickly? A small thing, really.

I hope this helps.

Good Words!

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